Lovers of dreamy house and disco will be delighted to listen to Liam Spillane’s set from our glitterous event at the end of last year. Grab a drink, put some glitter on, find a spot in the sunshine and stick this on for some pure blissed out vibes!
Welcome back TBC readers to the latest of our promo reviews and this one is hot off the press! We are pleased to be able to bring you a very early promo review of the latest DJ Kicks series from K7, we hope you enjoy.
Following from DJ Koze’s entry in the K7 collection is Seth Troxler (release date 16th October 2015) who has been a key player in the electronic music scene since his arrival via Ellen Allien and Bpitch around 2009/10 and his signature wonky minimal tech house. TBC are fans of Seth Troxler, his music can be amazing, his attitude and charisma as a DJ is one of work hard, play hard which we know only too well. There have been some low points with strange lacklustre live sets and mixes but all in all Seth has taken his place among the big players in dance music and settled in for the long haul, bringing an enthusiasm and playful manner which sets him aside from others.
Seth’s previous releases in compilation format were; Boogybytes vol.5, The Lab 03, Mixmag cover CD (with Jamie Jones) and his RA podcast 156. Each release has shown what Seth is about, good house music to party to, not too pacey but something to make you dance your ass off and have fun. The Boogybytes CD is a TBC favourite, check it out (it has a great Album cover too).
Seth Troxler comments on his DJ Kicks in his own words:
“I see this mix as a gay man named Rodney. Or a big black woman named Birtha.”
The mix has an eclectic start with some instrumental, blissed out electronica and it isn’t until track 4 with Cobblestone Jazz where we start to get a bassline and a groove with their Northern Lights track which epitomises Seth’s sound. The mix continues in this wonky vein until the funky disco number from Hauke Freer called XK comes in and it sounds excellent with the vinyl static crackles and funky beat. Hauke Freer is a leftfield german producer and this track is a great contemporary take on a classic disco sound. Butch then delivers a tribal track called Dope which maintains the mix’s momentum and makes you want to go outside and dance in the sunshine (if your lucky to have some on tap). The percussion and vocals in this track have an infectious feel and make you want to bop around and smile. Session Victims – Stick Together then chips in with an uplifting summery disco track to maintain the sunshine vibe. The house vibe continues with Club Artist United and Jasper St Company where we hear a more old school deep house sound with a gospel vocal being thrown in for good measure. Seth then cranks it up a notch with K Alexi on a more acid house tip with an evil distorted vocal which reverberates around the track. Ohh By Mood to Swing retains the more upbeat feel injected by K Alexi, this is where Seth is providing some dance floor numbers taking you into the last third of the mix. Derrick Carter brings Dreaming Again for track 14 which is another crackly vinyl track (1999 classic) and adds a nostalgic feel with some soulful house. At this point it is obvious Seth is using vinyl because the pitch evidently bends at certain points which adds a nice homemade feel to the mix. The classics then begin to flow with Byron Stingley’s Why Cant You Be Real (2000) – another soulful house number. Vanessa McMillan, Dean Street Crew and Sun Ra and His Intergalactic Research Orchestra close the mix, the latter is an insane fairground ride sounding track ending the mix in the most bizarre way.
All in all, this is a good addition to the DJ Kicks series. DJ Kicks is quite a series to release on however and this instalment doesn’t hit the high notes and excel to the extent that others have in the past. It does however provide an interesting insight into Seth’s eclectic record box and the sound is typically DJ Kicks so in our view its worth the investment.
Thanks for reading