TBC Playlist 2017 Annual Review Part Three

Finally TBC, our loyal and patient readers have made it to the third and final part of our 2017 annual review. We apologise in advance for both the tardiness of this article being finalised, May 2018 for a 2017 review breaks our previous record of April for the 2016 review, and the lengthy part two, albeit we got a little excited at the top ten selection for the year. Like each previous year the annual review is a beast as it requires a crate digging mentality to review all 2017 content from a variety of sources, the patience to listen through and select your favourites and then repeat listen to write your final review. It has been very enjoyable and allowed us to unearth some gems that may have gone under the radar in the year while also having a good tidy up and purge of unwanted digital releases or reorganise the tangible CD and vinyl collection.

It is safe to say that the top ten selections each have their areas of excellence otherwise they wouldn’t have made the shortlist however making the top three or even winning the top release for a calendar year takes something special. What makes an album special is subjective and therefore we are lucky at TBC that we have two heads to challenge each others selections and thoughts plus, as previously mentioned, the selection needs to stand the test of time so you need to think outside of the box when making the final decision. There is a good selection on offer this year with a diversity in the top ten that has excited us during the review process, heavy techno from Oscar Mulero and Planetary Assault Systems, Techno from Adam Beyer and Ellen Allien, Electro from Helena Hauff, alternative electronica from Bicep twice and progressive house and house from Henry Saiz, Nic Fanciulli and Sasha. We have had back catalogue collections, production LP’s, mix compilations, live shows (with DVD accompaniments), festival sets, podcasts and radio shows. There have been scene stalwarts who have produced a multitude of previous releases (EP’s, LP’s, mixes etc.), debut albums, debut live performances, maturity & development in sound, DJ production  or mixing excellent and some straight up bonkers music.

After a great deal of deliberation the top three from TBC for 2017 is as follow, in no particular order, including a short reason why they made the top three.

  • Nic Fanciulli – My Heart
    • 20 years of experience has been put to great use by honing and maturing his sound to finally release a debut album that really hits home with a great flow & structure and some excellent tracks.
  • RA #596 mixed by Oscar Mulero
    • The ability to deliver heavy techno in this style and across 60 minutes while still creating a flow and transition is commendable as many others require 3-6 hour sets in order to showcase this type of techno.
  • Essential Mix by Bicep
    • It was a close run thing between the Irish duo’s production album and their Essential Mix as both are excellent and emphasise the year that Bicep have had. The Essential Mix just pips it by harnessing the sound from the album across a multitude of genres and nailing each mix and transition to a tee.

And our 2017 winner is Bicep with their awe inspiring BBC Essential Mix that came just a little late to be part of the BBC 2017 Essential Mix of the year and it would have given Helena Hauff a run for her money. We have already said a lot about the mix but to cap things off it stands out as an exceptional 2 hour showcase of Bicep’s skills, diversity and how far they have come in a few short years since their Essential Mix debut in 2014. The mix will have you partying, can be played in the background and is good when out and about on your travels on your headphones or in the car. This mix will continue to be played well into 2018 and beyond at TBC. We have added a link to the mix and a video to one of their tracks for your pleasure.

CONGRATULATIONS TO BICEP FROM TBC

As we continue to write into the May Bank holiday for this 2017 article it has allowed us at TBC HQ to enjoy a number of releases into 2018 and we want to share these with you so that you can start the year off with some great new tunes having enjoyed the 2017 playlist. We hoped that 2018 would continue on the same vein as 2017 as techno was in its ascendence along with electro coupled with some great production albums and internet shows expected.

Here is a list of a few to watch out for as we have had some great 2018 music already:

Essential Mix by Palms Trax – similar to the Bicep vibe and an early contender for 2018 mix of the year.

Berghain Vol.8 mixed by Fiedel – Various Artists

Live at 303’s 5th Birthday in Liverpool – Henry Saiz and Nick Warren

Balance 029 mixed by James Zabiela – Various Artists

John Tejada – Dead Start Program

Carpenter Brut – Leather Teeth

Dax J – Offending Public Morality

Essential Mix by Dax J

Dj Kicks mixed by Deetron – Various Artists

Fabric 98 mixed by Maceo Plex – Various Artists

Butch – End of Decade

Jon Hopkins – Singularity

DJ Koze – Knock Knock

Eskimo Recordings presents The Purple Collection – Various Artists

Too Slow to Disco Brasil compiled by Ed Motta – Various Artists

Thanks for reading and we will be back in 2018 with more articles.

TBC

TBC Playlist 2017 Annual Review Part One

Introduction

Welcome back to our annual review of all the music that has been played at TBC HQ over the past year. We must say that 2017 has gone quickly, it has almost flown by, but this has  not been without the standard level of trawling through new music, albums, compilations and podcasts plus our archive of music (that has been amassed over the years and the odd classic album we find while out and about) in order to report back to our TBC followers. The reason for ever increasing speed of the years is normally linked to age however at TBC we seem to take it upon ourselves each year to challenge and see how many things we can shoe horn into a 12 month period and we have excelled yet again 2017. We have managed to finally buy our new house (after 2 failed attempts) where we are now able to party in our sound insulated attic. We attended half a dozen weddings including one in the Game of Thrones land of Dubrovnik, partied at the Night Kitchen (TBC was first held in the basement at this venue) one last time before it closed its doors, attended a Stag Do in Barcelona and one in Sheffield. We surprised friends on a Berlin hen do, enjoyed multiple parties at the end of the year at Collect and The Holt  (cheers Gaz and Jess) where I finally got to DJ out properly (the only occurrence in 2017). You may ask where have the TBC parties been in 2017 but after a very busy 2016 we took a break to focus on other things with the intention to come back and have a ‘re-birth’ in 2018 so watch this space. We did of course have multiple shindigs to enjoy the music finds of the year; at our old flat to send off the Mezz in true TBC style and to christen our new house, sorry to our old and new neighbours!

Part One

The 2017 playlist is extensive with a total of 121 releases, split as follows; 2017 has 99 with 83 albums/compilations/radio shows/live sets plus 16 Resident Advisor podcasts and BBC Essential mix shows. The Classic and Eclectic portion is made up of 22 releases and we venture back to 2001 to cover all of our selections this year. We  had to trim the playlist considerably as our music back catalogue has been delved into during a recent reshuffle of music during our house move resulting in many, many lost hours. The range of musical genres takes us from electronic to pop to hip-hop and rock with the former spanning drum & bass, house, electro, rave, techno, progressive and disco. In brief we can say that while 2017 was not one of the best for producing truly standout releases there have been a few gems that have been great to seek out. We hope that you can find some new artists, record labels or releases when reading the article and can enjoy the releases as much as we have.

2017 Playlist

Eskimo Recordings pres. The Red Collection

Resistance Vol.1 mixed by AndHim

Permanent Vacation Vol.4 – Various Artists

Selectors 001: selected by Motor City Drum Ensemble

InFine 10: Tomorrow Sounds Better With You – Various Artists

Stereo Productions pres. Best of 2016 – Various Artists

Dj Kicks – Matthew Dear (Reviewed Jan 2017 – https://technobreakfastclub.co.uk/2017/01/27/tbc-album-promo-dj-kicks-matthew-dear/)

The Sound of Belgium (TSOB) Vol.3 – Various Artists

Unfinished Business Vol. 4 mixed by Luke Solomon

Tin Man – Dripping Acid

Joseph Capriati – Save My Soul

Balance Pres. Sudbeat mixed by Hernan Cattaneo

Global Underground Select #2 – Various Artists

A Decade of Ilian Tape – Various Artists

Layton Giordani – Where It Begins

Watergate Vol.22 mixed by Catz N’Dogz

Talaboman – The Night Land

Planetary Assault Systems – The Lights Years (reworks)

Ten Years I Love Acid – Various Artists

Gaiser – III

Lee Foss – Alchemy

Fabric 92 – Call Super

Eli Escobar – Happy Again

Sian – Capital Crimewave

Hal Incandena – Calor

FabricLive 91 – Special Request

Ellen Allien – Nost

Elektrik World compiled by Dr.Lektroluv – Various Artists

Sasha – Scene Delete: The Remixes

Rebekah – Fear Paralysis

Rodriguez Jr. – Baobab

Talamanca – Sytem

My Favourite Vol.3 PETS Recordings – Various Artists

Jannowitz Black Compilation mix by Tiefschwarz

Perc – Bitter Music

Schneeweiss Vol.7 compiled by Oliver Koletzki

Robert Hood – Paradygm Shift

Dj Kicks – Michael Mayer

Reclaim Your City Podcast Series – REKA (vol.229), Dustin Zahn (vol.178), Rebekah (vol.151), Gary Beck (vol.135) and Exium (vol.66)

Maceo Plex – Solar

Realms of Consciousness Pt. II – Various Artists

Ghost Population vol.6 from City Noises – Various Artists

Balance Pres. Natura Sonoris mixed by Henry Saiz

Delta Funktionen – Junior High School Excursion

XLR8R Podcast Vol. 497 by Paul Kalkbrenner

Correspondant Compilation Vol. 05 – Various Artists

Herdersmat Part 9-15 – Various Artists

HOSH – Stories from Sa Talaia Parts 1-3

Infrastructure New York pres. Facticity

Dark Sky – Othona

Dekmantel pres. Selector 003 compiled by Marcel Dettmann

Recondite – Update

Soma 25 – Various Artists

Stil Vor Talent pres. Alexanderplatz

Drumcode pres. A-Sides Vol. 6 – Various Artists

Broken English Club – The English Club

Sam Paganini – Zenith

Slam Radio #258 – Bloody Mary

Lake People – Phase Transition

Bicep – Bicep

Joe Goddard – Electric Lines

Koelsch  – 1989

Sasha – Refracted Live

Steffi – World of the Walking State

Special Request – Belief System

Rødhåd – Anxious

Global Underground: NuBreeb 10 mixed by Oliver Schories

Dave Clarke –  Desecration of Desire

Christian Smith – Synergy

Oscar Mulero – Pattern Series Compilation

Oliver Huntemann – Propaganda

Dekmantel pres. Selectors 004 compiled by Joy Orbison

Nic Fanciuli – My Heart

Kaiserdisco – Another Dimension

Kern Vol. 4 mixed by DJ Stingray

Koen Groenveld – Best of 2017

John Digweed Live in Brooklyn, Output, NYC

DJ Hell Zukunftsmusik

We Play House Recording 10 Years – Various Artists

Mister Saturday Night – Then & Now

Momentum 10 Years of Token – Various Artists

Adam Beyer live at Awakenings Festival 25th June 2017

5 Years In Love With Involve – Various Artists

Resident Advisor Podcasts

RA #569 mixed by Willow

RA #582 mixed by Steve Bicknell

RA #584 mixed by Galaxian

RA #596 mixed by Oscar Mulero

BBC Radio One Essential Mixes

Essential Mix by Pan-Pot

Essential Mix by Adriatique

Essential Mix by Helena Hauff

Essential Mix by Joe Goddard

Essential Mix by Monika Kruse

Essential Mix by Joseph Capriati

Essential Mix by Solardo

Essential Mix by Calibre

Essential Mix by Honey Dijon

Essential Mix by Rebekah

Essential Mix by Nina Kraviz

Essential Mix by Bicep

Classic and Eclectic

Bonobo – Migration

The XX – I See You

Renaissance Pres. The Masters Series by Hernan Cattaneo (2012)

Jamiroquai – Automaton

Goldfrapp – Silver Eye

Stormzy – Gang Signs & Prayer

DJ Mag pres. La Vie En Stereo – 10 Years and Counting mixed by Chus & Ceballos (2009)

Helena Hauff – Mixmag pres. In Session (2016)

The Underground 2010 – Techno – Various Artists (2010)

Lazerhawk – Redline (2010)

FabricLive 35 – Marcus Intalex (2007)

Marcus Intalex – 21 (2011)

London Grammar – Truth Is Beautiful

Royal Blood – How Did We Get So Dark?

Lost Years – Black Waves (2012)

CLR & Chris Liebing pres. Reconnected 03 mixed by Rebekah (2013)

CLR & Chris Liebing pres. Reconnected 04 mixed by Drumcell (2014)

Pantha Du Prince – Black Noise (2009)

Carpenter Brut – Trilogy (2015)

FC Kahuna – Machine Says Yes (2002)

Dave Clarke – Devils Advocate (2003)

World Service Vol.2 Mixed by Dave Clarke (2001)

Back to the Future Parts 1-3 mixed by Paul Kalkbrenner

TBC Album Promo – DJ Kicks Matthew Dear

Welcome back to the TBC album promo feature, fresh in 2017 with an album which we have been enjoying since December when it first landed in our inbox. Following on from a successful 2016 roster with Moodymann, Dam-Funk, Jackmaster, Marcel Dettmann and Daniel Avery Dj Kicks is back in 2017 with a superb addition being to the series by the legend Matthew Dear (AKA Audion). Matthew has been around for some time now and his sound is a mixture of many genres; pop, techno, house, dub, eclectic electronica sounds and electro which is ideal for a series such as DJ Kicks. The series is always an opportunity to delve into a famous DJs repertoire, see a different musical angle or experience a leftfield musical journey and Matthew Dear doesn’t disappoint, albeit you will have to be open to his eclectic style and selection.

The mix starts with a superb intro from Nils Frahm Ode which eases you into the mix with a blissed out chilled masterpiece. Wrong with Us follows, an exclusive DJ Kicks track by Matthew himself, which is typically a Dear track with his own quirky lyrics, a nice baseline and a summery house groove that breaks  with some nice squelchy keys towards the end of the track. The mix progresses with some heavy baselines, eclectic house and growling techno that epitomises the Matthew Dear sound and are highly enjoyable with a good set of headphones and the accompaniment of a Subpac for some bass feedback. It is great to see some new artists and tracks that we are not familiar with (those which will have come from a diverse record collection of Matthew’s) but yet flow together in a very satisfying manner. Lust for Sale (MGF Remix) by Gwilym Gold x Doc Daneeka is a great pop vocal over a dub house track which stands out as the mix approaches the quarter mark. ITJ10B1 by Italojohnson follows on a few tracks later with a superb bass heavy electro track featuring an almost unidentifiable yet superb vocal that sets the track off perfectly.

The mix reaches the halfway point as you realise time has passed quite quickly yet the resounding bass and mix track selection doesn’t drop but continues to ebb and flow into the second half. There are a few tracks which drop the pace a little and reverberate around a tribal sound tinged with spacey disco sounds and effects, such as Alex & Digby’s Angolan Rumble which is played over the bizarre Harmonitalk by Gary Sloan & Clone creating a great combined track. This is followed by the equally bizarre yet entertaining and uplifting Rendell Pips by Randomer which continues the aforementioned mid-mix style.

At around track 18 the bass picks back up again and the techno sounds return with tracks from Markus Enochson and Simian Mobile Disco, both which are excellent inclusions on this DJ Kicks edition. Pearson Sound’s XLB and Soulphiction’s Sky So High maintain the heavy, and I mean heavy, bass which growls away and thunders through each track leading to an interesting trio of Audion productions. Live Breakdown, Starfucker and Brines are a great insight into Matthew’s darker techno and more experimental side delivered via his Audion alias. Starfucker and Brines really stand out with great rolling techno baselines and an array of effects and samples which set the tracks off and really push your speakers/headphones to their limit. The mix ends with Kumu which helps bring you back down after the relentless techno which preceded it and helps bookend the mix with great intro and outro tracks.

Overall this edition of DJ Kicks can definitely be classed with the more heavy, club style mixes in the series, it isn’t for the faint hearted and less experimental listeners and is a great advert for Matthew Dear and his quite unique style. I am not sure if it sits among the best in the series which boasts some truly epic mixes and collections but it is definitely up there in the DJ Kicks series. Please check out the stream link and tracklist below for yourself and enjoy. The album itself is due for release on Friday 27th January.

Thanks for reading.

TBC

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Stream the mix here:

http://dj-kicks.com/matthewdear/

Tracklist:

  1. Nils Frahm – Ode
  2. Matthew Dear – Wrong With Us (DJ-Kicks)
  3. Mahal – Ongaku (HVL Remix)
  4. Monsieur Georget – Double Lune (Third Child Boomer Mix)
  5. Kreon – Silo Sol
  6. Caserta – Ricky (Thatmanmonkz Remix)
  7. Gwilym Gold x Doc Daneeka – Lust For Sale (MGF Mix)
  8. Smoke – Nuutri
  9. Decius – Bread & Butter
  10. Italojohnson – ITJ10B1
  11. Vin Sol – Instinct (Matrixxman Remix)
  12. Groovesh – Glowing
  13. Duff Disco – Feed The Horse
  14. Dudley Strangeways – Hallam
  15. Alex & Digby – Angolan Rumble
  16. Gary Sloan & Clone – Harmonitalk (Alex & Digby Edit)
  17. Randomer – Rendell Pips
  18. Markus Enochson – Hot Juice Box
  19. Simian Mobile Disco – Staring At All This Handle
  20. Pearson Sound – XLB
  21. Soulphiction – Sky So High
  22. Audion – Live Breakdown
  23. Audion – Starfucker
  24. Audion – Brines
  25. DJ Khalab & Baba Sissoko – Kumu

TBC Playlist 2015 Annual Review – Part Two

TBCReviews2015aThe TBC longlist which is made up 82 electronic albums, mixes etc. and 9 alternative offerings. We have attempted to put in a chronological order so that you can easily review the list and source the albums you like:

BBC Essential Mix – Eric Prydz and Jeremy Olander

Lake people-  Purposely Uncertain Field

Eats Everything – Fries With That

BBC Essential Mix – Waze & Odyssey

BBC Essential Mix – Joris Voorn

John Tejada – Signs Under Test

Nang – The Array Vol.5

Argy & Mama – Dominonation

Bpitch Control Best of 2014 – Various Artists

Zoo Brazil – Songs for Clubs vol.3

Dj Kicks – Nina Kraviz

Juju & Jordash – Clean Cut

Levon Vincent – Levon Vincent

BBC Essential Mix – Eric Morillo

RA Podcast Anthony Naples

Andre Galluzzi – Alcatraz

Anthony Naples – Body Pill

Model 500 – Digital Solutions

Watergate 18 – Butch

Future Disco Vol. 8 – Various Artists

Masterpiece – Armand Van Helden

Fabric 80 – Joseph Capriati

Noir – Noir

Balance 27 – Magda

Global Underground 2015 – Various Artists

Oliver Schories – Fields Without Fences

MDR Compilation – Various Artists

Omid 16B – Reincarnations

Crazy P – Walk Don’t Walk

RA Podcast 459 – Solar

Rebel Rave Vol.4 – Various Artists

Mix for Tsugi – Barnt

Defected pres. Master of House – Frankie Knuckles

Cocoon Pres Zehn – Chris Tietjen

Lauer – Borndom

BBC Essential Mix – Claptone

BBC Essential Mix – Patrick Topping

BBC Essential Mix – Julio Bashmore

BBC Essential Mix – Sven Vaeth

Miami Horror – All Possible Futures

Laurent Garner – La HOME Box

Strictly DJ T – 25 years

Eskimo Recording The Orange Collection – Various Artists

Ruede Hagelstein – Apophenia

Balance Pres. Fur Coat

Flight Facilities – Down to Earth

XLR8R Podcast – Walker and Royce

Unfinished Business Vol. 1-3 by Luke Solomon

Live at Robert Johnson – Lifesaver Compilation vol.2

RA Podcast 464 – Paula Temple

Underground Sound of Ibiza Vol.2 – Various Artists (Bedrock)

Warehouse Rome – Various Artists

A-Sides Vol. 3 (Drumcode) – Various Artists

Dj Supermarkt Too Slow to Disco 2

Stephan Bodzin – Power of Ten

20 Years of Henry Street Records

Berghain 07 – Function

BBC Essential Mix – Hot Since 82 (Ibiza Space, special extended mix)

Man Power – Man Power

Julio Bashmore – Knockin’ Boots

Enter Ibiza 2015 – Various Artists

Space Ibiza 2015 – Various Artists

XLR8R Podcast – Helena Hauff

RA Podcast 484 – Bjarki

HNNY – Sunday

Cocoon Compilation O – Various Artists

Aphrohead – Resurrection

Catz ’n Dogz – Basic Colour Theory

Fabric 84 – Mathew Jonson

Faze DJ Set #40 – Stephan Bodzin

RA Podcast 491 – Sasha

BBC Essential Mix – Lee Burridge (Burning Man special edition)

BBC Essential Mix – Seth Troxler

BBC Essential Mix – Ben Klock

Ostgut Ton Zehn – Various Artists

BBC Essential Mix – Maceo Plex

Yoshitoshi Ibiza – Sharam

Global Underground 41 Naples – James Lavelle

Balance 28 – Stacey Pullen

Beyond Borders: Berlin – Dave Seaman

Sound of the 16th Season (Cocoon Recordings) – Sven Vaeth

R.I.P. 50 Weapons #40-50 – Various Artists

Alternative

David Gilmour – Rattle That Lock

Dr. Dre – Compton

New Order – Music Complete

Jean Michel Jarre – Electronica Vol.1

Jean Michel Jarre w/Gesaffelstein, Massive Attack and Tangerine Dream – Limited EP releases from new album Electronica Vol.1

Marsheaux – A Broken Frame

Emika – Drei

Chemical Brothers – Born In The Echoes

FACT Focus Podcast Vol.1 – Serge Gainsbourg

 

The Shortlist:

The TBC chosen few are below and there are some stormers in here, where possible we have also added a link so that you can listen to and enjoy yourself while you read the article. We would recommend you source the remaining albums asap as they are excellent.

As ever there are some superb albums/compilations/mixes that just miss out but I feel it would be fair not to mention them. 2015 has seen some excellent Resident Advisor Podcasts in particular Paula Temple, Bjarki, Solar and Sasha, where respectively each provides a glimpse of a brilliant DJ. Paula Temple provides the hardest techno in her special style, Bjarki a new breed of techno/rave party music (one to watch in 2016), Solar (A DJ we met in Stadtbad in Berlin and he gave us a bundle of free drinks tokens, what a legend!) provides an excellent mix and Sasha making his RA debut at the ripe old age of 46 for RA #491. MDR, Ostgut Ton, Cocoon and 50 Weapons all released collections in 2015 and they each excel in their own way with some real gems to be had plus some fancy collectors editions boxsets! Armand Van Helden released his Masterpiece mix which includes one of the great CDs of all time… the Yacht mix, you have to hear this mix, it is superb with old-skool rock, disc, perfect when you are chartering your yacht or just partying hard! Ruede Hagelstein, Stephan Bodzin and Laurent Garnier all released excellent production albums, the quality of electro and techno on these EP’s is testament to their production quality and in the latter case, their status in the scene in spite of their seniority and extensive experience. James Lavelle released his third Global Underground instalment with Naples vol.41 of this mega series. Lavelle is an all time favourite of TBC and this mix doesn’t disappoint with superb remixes of old UNKLE tracks, more recent tracks from other artists and the double disc mix is electronica enjoyment to the max.

Levon Vincent – Levon Vincent

TBC have been fans of Levon Vincent since he hit the big time in the techno scene around 2011 with his masterful Man or Mistress EP, he has been around since about 2002 producing tracks and not until 2015 did he finally release an LP. At first impression this album seemed a different angle for Levon as it approaches from a more deep, atmospheric, electronica direction and it didn’t really register on TBC’s radar. However give this album a few listens, turn up that sub-woofer and really immerse yourself in this LP and its a different story. You will be pounded by bass, taken on an electro journey with progressive, techno, minimal and house style tracks that show off Levon’s range and diversity in production. Don’t be fooled there are some crazy techno tracks on here so it is not a subdued, chilled listen but the range across the LP is excellent. The stand out tracks are:

-The Beginning is the opening track of the LP, it is an uplifting track that builds and booms away making it perfect for an opening of a DJ set, perfect for a Berghain style mix, which erupts with trance synth keys towards the second half of the track.

-Junkies on Herman Strasse has a sheer brutal techno bassline and storming/angry style.

-Mor Mona, My Beloved Cat_Rest in Peace is a chilled, progressive electronica track that takes you on a journey filled with nice keys and some nice twinkly, space-like sounds.

-Woman is an Angel is the last track on the LP and oozes class production with a superb bassline, uplifting electronic synthesiser keys and an evil yet epic feel that brings you to the end of the LP, the perfect transition throughout the LP from start to finish.

 

Berghain 07 – Function

Function can only be described as one of the all time favourite TBC Berghain residents, why you ask? Well our first trip to Berghain was hosted by Silent Servant plus Regis and Function and there simply are no words to describe this evening. The techno was off the scale, hard, heavy, atmospheric, epic, crazy, evil… it had it all! Sandwell District actually hosted the main room for over 18 hours, from Saturday AM until very late Sunday. Fast forward a few year and Ostgut Ton has revolutionised the mix CD by providing the mixed file free of charge on their website. This is a revolutionary step because the mix CD is holy sacrilege since Sasha and Digweed pioneered them in the 90’s with the Renaissance series. Many would think this is a crazy leftfield approach from Ostgut Ton but after their superb Ryan Elliot Panorama CD they have taken the forefront in digital music realising the free download is a gateway to their club, record label and brand which is well worth the free WAV format download.

Function has entered the Berghain series after some serious releases courtesy of Dettmann, Faki, Fenglar and Klock but he seems to avoid their status and standing by creating an epic mix that encapsulates what Berghain is all about: serious techno! Tune selection which pushes the sound system to its limits and the clubbers to their extreme limits. This mix, if you haven’t been to Berghain, is the perfect introduction and its free to download so please visit the website and get involved.

The tracklist is typical of Function who has cemented his standing in the techno scene with Dettmann and Klock et al as a pioneer of the musical genre. His tune selection, mixing and style is just breathtaking. Pretty much the full spectrum of techno is included; DVS1, Broom, Planetary Assault Systems (Luke Slater), Carl Craig, Silent Servant, the list goes on and even includes classic artists such as CJ Bolland – a techno/rave pioneer who many looked up to and were inspired by in the 1990’s.

TBC challenges any of our readers, fans and friends to listen to this mix and not be blown away by its aggressive techno assault ranging from the present to the classic and all the in-between. Function even takes the mix on a psychedelic/acid journey towards the middle of the mix which highlights his great style and his ability to span many genres of techno/electronica while maintaining your attention and exhibiting his own particular approach to the Berghain series which each particular resident has brought to their own mix.

TBC’s particular highlights include:

  • CJ Bolland ‘Horsepower’ as it is simply a classic electronica track which fits in very well with the current day techno style. it may be dated but is doesn’t feel out of place on this mix.
  •  The transition from Cleric – Concrete (31:39)
 to Blue Hour – Common Ground (33:24)
 between tracks 10 and 11 is simply stunning, seamless transition between techno stormers during heavy levels of bass and a pretty rapid BPM. Mind-blowing techno DJing.
  • The section where Function plays Bicknell, Planetary Assault System and Allen tracks together from tracks 14-19 is a serious test of your techno credentials, can you handle it?! This is hardcore techno at its raw best.
  • Silent Servant ‘Noise Treatment’ is the penultimate track and it is Berghain epitomised, crazy, bass heavy and intense. This track on the Function One speaker system would challenge your body’s ability to maintain its control and push you to your limits.

There are points where this mix verges on the techno limits but the diversity and transitions throughout ensure you aren’t scared off or stifled during your audio entertainment session. To put it simply there aren’t really the words to describe this mix. Just like Ryan Elliot did with his Panorama Bar mix Function has matched and exceeded with his Berghain mix. Don’t miss this one! If you haven’t experienced Berghain in all its glory this mix is a great place to start, turn up your speakers and get lost.

Fabric 84 – Mathew Jonson

Mathew Jonson has been a TBC favourite for many years and remains an elusive DJ/Producer as we have never seen him live. However this elusiveness only adds to Mathew Jonson’s persona and grandeur because for a decade he has produced some of electro and techno’s greatest tracks. Marionette, Decompression and Typerope are defining tracks within electronic music since the early naughties. It is hard to remain elusive, churn our production pieces and achieve a level of consistency like Mathew has done over the last 14/15 years, not many have been able to keep up or challenge him. Many have tried; Maceo Plex, Julien Jewell, Petar Dundov, Joris Voorn but Mathew Jonson retains that standing which many envy and pursue.

It would have been easy to create a mix CD that would blow you away when Mathew Jonson is at the helm but he doesn’t simply provide a great mix in this instance with Fabric but showcases how others should approach production and DJing. Fresh tracks, live edits, new mixes which rejuvenate classic old tracks, a progressive style which epitomises Mathew Jonsons’ style while remaining satisfying and uplifting for the listener whether they are seasoned or a rookie in the scene. The tune selection is solely Mathew Jonson focused, either produced, edited or remixed and it works perfectly. This mix managed to reignite my Fabric collection which was looking a little tired and generic.

The live mix was recorded at Fabric during  their crazy Birthday weekend in 2014 where they open non-stop throughout Saturday and Sunday. It seems that those who attended were treated to one of those exemplary performances which usually occur and are talked about as if they were folk-lore, “were you there”, “did you see Mathew Jonson at Fabric in 2014”, “his live set was simply mind-blowing”. Normally you would brush these comments aside but Fabric were lucky enough to be recording this live set for their 84th instalment of their Fabric series and boy does this mix deliver.

Fabric have been somewhat lacklustre in recent years, their mixes have not really delivered, big DJ’s have lost their way and generally they have fallen fowl of the level they set early in their series history. In this case Mathew Jonson blows this recent bad spell away with a breathtaking mix.

It is difficult to select highlights however Decompression is a TBC favourite and this features in a new guise twice along with an urban, garage mix which enables Mathew Jonson to explore a dubby, garage style which particularly excited us as this an old school genre from the 90’s is not often revisited by current DJs. This nostalgic angle is well integrated and flows very well within the mix moving us on to a more housey style which finishes the mix culminating in a great Acid remix of the legendary Inner City Good Life.

We wish we could post links to this mix but you have to enquire about the mix and get involved because it is simply stunning. Go to the Fabric website for a 7/8 quid bargain, you won’t be disappointed.

Tracklist /
01. Cobblestone Jazz – Northern Lights
02. Mathew Jonson – Dayz
03. Mathew Jonson – Learning To Fly
04. Mathew Jonson – Marionette (The Beginning)
05. Units And Measurements feat. Deadbeat – Octopus Brains
06. Tobias. – If (Mathew Jonson & The Mole Remix)
07. Mathew Jonson – In Search of a New Planet With Oxygen
08. Mathew Jonson – The World Will Come Around
09. Mathew Jonson – Automaton
10. Mathew Jonson – Decompression (Mathew Jonson Acid Cut)
11. Mathew Jonson – Decompression (Mathew Jonson Force Remix)
12. Mathew Jonson – Ghosts In The A.I. / Decompression (Mathew Jonson Mash Up)
13. Mathew Jonson – Imagination
14. Subb-an feat. S.Y.F. – Say No More (Mathew Jonson Remix)
15. Mathew Jonson – Cause Baby It Just Feels Right
16. Mathew Jonson – That Girl Can Dance
17. Mathew Jonson – That 101 Is Mine
18. Mathew Jonson – Feels Like Liquid
19. Mathew Jonson – Body In Motion
20. Kevin Saunderson feat. Inner City – Good Life (Mathew Jonson’s Acid Mix)

BBC Essential Mix – Ben Klock

Since TBC’s first trip to Berlin we have been obsessed with the Berghain family; Dettmann, Klock, Faki, Fenglar, Fiedel, Nodge et al. It is very difficult to not be captivated by the scene that this club, its residents, Ostgut Ton (the record label) and Berlin itself have created. The booming techno, its controversial door policy, the 48 hour plus parties, Panorama bar, the garden and its dark seedy sex dungeon (with the event called Snax). Of all of the residents Ben Klock remains the most elusive to TBC as we have experienced all the other DJ’s mentioned above at various times in recent years. Ben has released a number of mixes over the years including FACT #31 in 2009, Berghain #4 in 2010 and Fabric #66 and Tsugi #246 in 2012 and FACT #470 in 2014 all of which exhibit a tough techno sound with influences of house thrown in; percussion in particular. His style and flow within his mixes is synonymous of Berghain while differentiating himself with the other residents. When we heard that Pete Tong had drafted in Ben Klock for the essential mix we were very excited at TBC, especially after Marcel Dettmann’s offering in 2014 and we were not let down by this 2 hour techno journey.

The mix features many techno heavyweights Josh Wink, Edit Select, Spencer Parker, Planetary Assault System (Luke Slater) and Cajmere along with the lesser known Klaus Wiese, Antonio Ruscito, Pastaboys, Yotam Avni, the list goes on and on with around 37 tracks being included on this superb mix over 2 hours. The start of the mix bleeps and pulses with the great atmospheric tracks from Wiese and Wink merged together but soon pulses into techno and bass with Edit Select (a favourite of TBC for his unbelievably dark  and epic remixes of other producers techno and his own techno stormers) via his own track ‘Hi Line Extraction’ and his remix of Antonio Ruscito’s ‘Immagini Dai Sogni’ which are also blended together. This opening shows the thought that Ben Klock went through to create this  mix and his attention to detail when blending and developing the set. It almost becomes difficult to ascertain the tracks being played due to the level of overlapping between tracks but this factor made this mix particularly enjoyable as you felt like you were there live in the club, experiencing the master at work. This style of mixing is synonymous with a DJ at the top of their game and creates an end product which is greater than the sum of its parts, which when you listen to some of the tracks on their own replay makes you realise how much extra Ben Klock brings to the table not only here on the Essential Mix but whenever he plays live.

The mix highlights are:

-The opening 15 minute medley of tracks is stunning

-Pastaboys – Deep Musique feat. Osunlade (Trus’me Spritz Mix) – 14-18 minutes in

-Spencer Parker – Rights for Men x 2 tracks including the Adriana Lopez Mix at around 35 minutes

-Yotam Avni – This Is How x 2 tracks including the Sterac Remix – around 45 minutes

-Mike Dunn – Dance you Mutha (Ju Edit) – the original is from 1987 on the legendary Trax records – around 56 minutes.

-Woody McBride- All Night (Techno Mix) into Dax J – The Invisible Man into (unknown) – B1 into Dirty Basscore – MBass around 1 hour 25 minutes to 1 hour 30 minutes is Acid techno heaven.

This mix can be summed up simply as stunning, there is an obvious reason why this won BBC Essential Mix of the Year, just listen for yourself and you will see what we mean. To be honest if you haven’t heard this mix already where have you been?!

BBC Essential Mix – Maceo Plex

TBC have been fans of Maceo Plex since around 2010 when he first surfaced courtesy of Damian Lazarus’s Crosstown Rebels label who signed and promoted him. We heard his early tracks via his first LP Life Index which provided a more house, techy vibe than we are used to now where Maceo is firmly rooted in electro/tech/house carving a genre almost specific to himself – a niche.

Maceo Plex’s production work over the last few years including his Maetrik alias have provided TBC with enough techno/electro fuel to power many a party. Every production is flawless including his remixes, which helps draw similarities with Mathew Jonson (see the Fabric review above) who is an electronic music scene legend. We cannot wait for his new album Solar in 2016 which includes the epic Polygon Pulse (we hope!).

The mix which aired in November 2015 kicks off early with Radioactive Man Uranium, a TBC favourite being played at our first ever event, which is just superb, great but creepy vocal, evil synths and electro bleeps powered by a sublime bass line.

Polygon Pulse from Maceo which kicks in around 12 minutes is a progressive vocal masterpiece perfect for the late morning, sunrise festival set. The vocal, uplifting strings and progressive combination is exhilarating.

Stephan Bodzin Power of Ten (Maceo Plex remix) at 32 minutes is another great example of Maceo’s production genius, taking an already superb track from Stephan Bodzin to the next level.

Bxentric Patch Valley 42 minutes is another uplifting gem with superb keys, strings and bassline. This moves into Sefton – The Road Not Taken then into Vangelis Blade Runner End Titles and then Unknown – Bloodsport (Maceo Plex Remix) which provides 10 minutes of euphoric music.

The remainder of the mix maintains the Maceo Plex style and then blisses out into the final 20 minutes to wrap the mix up nicely. This mix is a superb entry by Maceo after his mini mix last year at T in the Park festival which firmly sets his place within the industry as a frontrunner in electronica and tech-house up there with the likes of Mathew Jonson which is testament to the skills on show.

Interview with Winston Hazel

Winston Hazel Interview April 2015_0021

When considering potential interviews for TBC we would be hard pushed to find a better person to comment on the club and electronic music scene in Sheffield than Winston Hazel. One half of the team behind the legendary Sheffield 80s club night Jive Turkey, one half of the pioneering techno outfit, Forgemasters and the driving force behind Kabal, Hazel has been shaping the scene in the steel city for the last 4 decades. Jive Turkey may not be a night that TBC readers will necessarily be aware of. It hasn’t received the notoriety or infamy of nights such as the Hacienda from the same era. When it comes to club nights that have made an impact both socially and politically however, Jive Turkey is up there with the best of them. At the time Jive Turkey was one of the biggest and most revered nights in the country. Its events at Sheffield City Hall and Occasions attracted party goers by the bus load from all around the UK and internationally with people coming from as far as Canada to experience a piece of the Jive Turkey action. The coming together of Hazel and DJ Parrott (Richard Barrett) meant that Jive Turkey was one of the first nights where both black and white clubbers came together under one roof to party side by side in what had been, up until that point, a very segregated scene on a national level. In addition, Hazel was well known for his shows on pirate radio stations as well as working at the FON record store both of which helped him in making a huge success of his Track with no name” as Forgemasters with Rob Gordon – the first track to be released on Warp Records. As if that wasn’t enough, over the past 15 years, Hazel has put on almost 50 Kabal parties in various unique and alternative venues across Sheffield. We met the man for a coffee and a chat and were blown away by the positivity and humility of this local hero. Despite being booked into a nearby studio to work on new productions on Shabby Doll records, he gave up over 2 hours of his time to provide us with the detailed and fascinating history of Winston Hazel, Jive Turkey, Forgemasters and Kabal as well as the scoop on his exciting new projects. Hazel said that in each interview he has given he’s shared more than the previous and this was no exception.

When interviewing Hazel it would be remiss to start any where other than by obtaining a detailed history of the seminal club night he co-ran with Barrett, Jive Turkey. For those that don’t know and for many that are too young to remember, Jive Turkey was a night which began at a club which will be known to local clubbers today as Fez but back then was called Mona Lisa’s. Hazel already had a huge following from his DJing at Turn Ups – a big night on the black scene in a club in one of the buildings near Commercial Street Bridge. In addition to that however he played at a night called Maximillion’s held at the club underneath Mona Lisa’s and it was from this gig that Hazel’s path first crossed with Barrett’s. Eager to find out what was happening upstairs, Hazel went up for a listen and enjoyed the 70s disco, funk and go go music played at Hothouse, as the night was then called. This was a nice contrast for Hazel to the music he was playing at that time at Turn Ups and was different to the music his black friends were into. “A lot of my black friends weren’t into 70s funk. What I played was more progressive – the early funk bands like Zap and Clear. I went along and I brought my mates. Parrot invited me to play with him as I was playing the new electro- he knew I knew what I was doing. I invited him to come to Turn Ups which he found a bit of a strange experience as it was like: “white man in here”! He liked the fact that it was quite complimentary to what he was doing. I didnt invite him to play at mine. My crowd were quite snobbish. There was a black white separation.

At Barrett’s night the crowd were however more open and one thing that Hazel found particularly satisfying was that the dancing started as soon as people got into the club. A main player in the Footworking and Fusion Footworking dance movement, Hazel and his friends that came along to Hothouse were always dressed, ready for a dance battle: “We used to make our own clothes: the funk ruffle jeans – we cut the back and put blue zips in and a red strip. When you’re ready to battle you would pull the zips down. We had a little towel hanging out of the pocket and cap and when the bad tunes came on wed slam the towel down and start footworking. People would start to try and copy us. They couldnt do it but it was brilliant. Thats what you want as a dancer!.

Hazel’s friends and fans from Turn Ups didn’t venture to Jive Turkey: My crowd were a lot more flippant about what they didnt know, however, that all changed with the collapse of the jazz funk all dayer scene. Hazel had also been a big name on this scene djing at parties at The Palais in Sheffield, the Humming Bird in Birmingham, Rock City in Nottingham and Hammersmith Palais, London. He played along side DJs such as Jonathan, Hugh and Clark and Mark Shaft at the all day parties and as a scene this was far more mixed in terms of its crowd. When the all dayer scene collapsed in the mid-eighties there was nothing like it in the country except for Jive Turkey. Hazel’s position at the forefront of this scene created a surge of interest in Jive Turkey and the night catapulted. Far more black clubbers started to come to the night creating a more diverse demographic at Jive Turkey that was reminiscent of the all dayer scene. In addition, a lot more white males and even football hooligans started to come. Jive Turkey was seen as an Owls club but due to the eruption of ecstasy use there was never any trouble in that regard. In relation to the impact of ecstasy on Jive Turkey Hazel said: “the e thing made the party bigger than the venues. Whereas you would have people dancing on the dance floor only before, when ecstasy came in, the party was happening all over the club. It was incredible to see that erupt!.

Then the Warp sound started to rear its head. Hazel was working in the FON record store, which was run by the founders of Warp and he also hosted The Friday Afternoon Dance Party on pirate radio with the tagline: “Get ready for the strong end of the week cos we don’t do weekends!. Unbeknownst to him, his radio show was reaching as far as Leeds and Bradford. People started to travel around to funk nights in other parts of Yorkshire. “These nights existed but Jive Turkey was the one everyone talked about. Something was happening on a bigger scale. The budding artists were coming to Jive Turkey as a means of finding out what was going on and people were bringing music for us to play. Jive Turkey brought huge names such as Todd Terry and Roger Sanchez to Sheffield for big parties at Kiki’s and Occasions – a club with a capacity of around 350. Hazel and Barrett however, overfilled it with 700 people with crazy parties where people would be banging on the roof. It also transpires that Sheffield was infamous for producing good speed and Hazel even told us about a pensioner who used to make bath loads of the stuff! In describing the Jive Turkey crowd Hazel said: “Everybody knew each other. We were the part of society that bucked the system – that would question the authorities – the creatives. The more raw, techno side of the music played at Jive Turkey completely fitted the phonics of Sheffield. “We had that pounding noise of steel thudding……ricocheting across the hills. My bedroom looked over the park way. I saw them digging that up. I watched them digging it. These things had a huge impact on the music that we wrote. I was optimistic through all that as for me that was change and I like change but it kept me motivated. I had the belief things will change in time. For Hazel, the economic and social issues in Sheffield were the reason that Jive Turkey existed and parallels can be drawn with the eruption of techno culture in Berlin and Detroit. In the UK, the all dayer scene and Northern soul were the glue that stuck the disenfranchised youth at that time together and Jive Turkey came along and took things to a new level. Winston states with conviction that it was the marriage between him and Barrett that allowed for this to happen creating the mix of black and white. “Jive Turkey was culturally and politically super important in this country.

I asked Hazel about his discovery of bleep techno to which his blunt response was: “Bleep techno never existed as far as I was concerned. We weren’t making house music/ techno, we just knew what worked. When I went into the studio with Robert (Gordon) it was a bi product of really good radio stations, really good nights, like attracting like and if you’re doing something really good you attract other really good things. Im a firm believer in the universe providing you with what you need.” Hazel had met Gordon (The other half of Forgemasters) at school. It was the pirate radio stations and Jive Turkey that allowed Winston to reach a lot of people and promoted a belief in him. The seminal Forgemasters tune: Track with no name was produced when Gordon got his hands on an Akai s100 sampler. “I was blown away by it, he was blown a way by it. We were experimenting in the studio for about four hours and ended up with a broken riff with the sampler. We didnt even known it was finished but then we played it and I was like get it on tape Im playing it on the radio tomorrow! We couldn’t think of the name and we both shouted, at the same time, Track with no name!. The reaction when Hazel played it on the radio the next day was insane the phones went fucking mental – next day people were ringing the shop asking about it”. People started to copy the sound and bring tapes to the club for Winston to play: I was playing it having not listened to it, the rougher the better!.

The track had such a positive response that Hazel and Gordon decided they needed a name and what could be more fitting for a techno outfit from Sheffield than Forgemasters? Hazel and Gordon decided to press 500 white labels of “Track With No Name” and they even hand wrote them. Hazel had friends in many high profile records shops and he got 5/6 of them to distribute the track including Groove records, Spinning in Manchester and Blue Bird in London. When Hazel phoned them to find out the 5 top tracks playing at that time, in every case “Track with no name” was one of them!

In 2014 Jive Turkey was recognised by Red Bull Music Academy when it was chosen to host a pod in the land mark event “Revolutions in Sound” at the London Eye. Twenty club nights were honoured in this way, hosting one pod of the eye each. “It was a great experience! Parrot loved it and he is very hard to please. There was a panel of twenty people who decided which nights should host a pod and Jive Turkey was the only night that got a unanimous vote. “We intended on making our pod an incredible experience for the people that came to it. We said we wanted 8 dancers of our choosing to come in. They understood by the time the pod had done its first rotation. We did not want head nodders – theres nothing more uninspiring. The girls were zumba dancers that come to our parties now. They weren’t probably alive at the time of Jive Turkey. The foot workers were a bit stiff but we all had a brilliant time!

A lot of Winston’s contemporaries left Sheffield around 1999/2000 due to a change in the scene prompted by the rise of the super club. When Gatecrasher became so huge in the Steel City Hazel along with many other were left thinking as he put it: “What the fuck”? “Do you not get it”?. Hazel moved to London and set up some parties in the capital but resented always fitting into somebody else’s thing. He had to go though he says to give Sheffield space to breathe. What I recognised was that there had been a lot of animosity towards me and Parrot. A lot of people resented us and people wouldnt let us play at their nights. People saying: you get all the work. When I left for London I said I was going to give Sheffield some time to breathe but it was important for me to come back. It was love that eventually motivated Hazel to come back up North as he met his current partner, Rachel and fell in love for the first time. It was during this period that Kabal began as well as Scuba, a club which provided Hazel with many fond memories.

Over the last 15 years Hazel has been part of team Kabal putting on famously good parties in alternative, unique venues in Sheffield. He described the early days of Kabal as a product of his emerging friendship with friend Raif Collis who had offered to catalogue Hazel’s extensive, 25,000 strong, record collection. Raif, who had a passion for funk music, took a year out of his calendar to sort through this huge treasure trove of music and in payment, Winston told him to keep a copy of any that he liked. As a result, hardly surprisingly, Raif developed a taste for dance music. Raif was someone who Hazel said was instrumental in bringing people together on a social level and no where was this skill more utilised than with the bringing together of the Stone Jam collective. Stone Jam was a project started by Andrew Greenlees, now sadly deceased. The aim was to bring creative people from different groups in Sheffield together and the venue for this collective was the newly opened Castle Court flats:

“Castle court when it opened was like creative hotel – it was incredible. Everyone looked after each other making it a very safe environment. There were lots of parties and lots of drugs. I lived there for 3 years. It seemed like the longest time ever. Where I lived in Castle Court was actually a few doors from where I lived as child. The parties at Castle Court were legendary – people came over from Manchester to party and the parties went on for days and days”.

In 1994 Hazel went to Jamaica for the first time and Raif went with him: “That was when I knew this was my best friend“. Hazel went away to discover himself at a point where he says he needed to stop himself from “tipping over the drug edge“. When asked what he discovered, he said with utter conviction: “Winston Hazel“. “I had been taking so many drugs that I went to Jamaica and I didn’t even feel black. I went out there and I took off all my gold and my glasses. I felt like I stood out people would shout out “yo english” when I walked down the street. I really quickly wanted to feel it was home, I didn’t want it to feel alien. That decision to strip myself down and blend in was really important for me to feel happy with myself and feel happy with my background. Embracing the music, the culture. I never saw so many people so happy with nothing I aimed to emulate that and keep it with me forever”.

Hazel was clearly highly influenced by what had happened in Jamaica and he and Raif came back with a new sound for Sheffield. At the time DJ Pipes (Peter Donohoe) along with Ben Weaver, Ashton Thomas and others ran a night called Waxlyrical. The sound that Hazel and Raif brought fitted the sonic emphasis for bass and ticked a lot of boxes for Sheffield. “I came back with a heart break rhythm, ragga rhythm track – i was taking ragga and funk and soul and also infusing rage as instrumental tracks back to back to back to back – never been done tracks, mixing them all together.” This certainly created quite an impact: “The techno heads were listening up and the reggae heads started to hear it as well. This started to spark similar feelings to those that Jive Turkey had created.” The upshot of all this creativity and new musical energy was to give Raif the desire to put together Kabal and Rude Movements. Kabal is now in its 15th year and has only one more party planned in Spring which will be the 50th and very sadly the finale. TBC went along to the free Kabal all day party at this years Tramlines and can only say make sure you get a ticket for the Autumn Kabal because the atmosphere and music in that place is like nothing else in Sheffield.

Never one to standstill however, of course Hazel is already channeling his energies into new and equally exciting projects not least his work as part of The Originators. The Originators is a collective of electronic music outfits who started out at the time of the fall of the Berlin wall and comprises one member of each of the following: Forgemasters, Unit 3, Altern8, Rhythmatics and LFO. Each produces a track and then forwards it to the others to remix. The tracks are to be released on the experimental Chill Records and rehearsals for a live tour start next year. Keep those eyes peeled for up coming gigs TBCers, this one is not to be missed! In addition Hazel is also producing music for Shabby Doll Records run by Matt Swift.

Well readers that’s the story of Winston Hazel, a true Sheffield hero and one of the most inspiring people TBC has ever had the pleasure of meeting.

Crosstown Rebels – Rebel Rave Vol.4 with Mathew Styles

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Crosstown Rebels has been one of the best success stories in electronic music over the last 5/6 years. TBC have been fans of Damian Lazarus since his early Futurism CD collections Vol. 1&2 and his amazing Bugged Out Suck My Deck compilation from the mid noughties which helped him develop his label to one of the best, bringing us artists such as Maceo Plex, Mathew Jonson, Jamie Jones, Amirali, Infinity Ink, Ida Engberg and Acid Pauli to name but a few (trust me there are lots and lots). The Rebel Rave compilations first surfaced in 2010 when Crosstown Rebels began to take over the club scene and the music became the soundtrack to your weekend.  Whether you were in the club at one of their nights, at another club night where DJs all wanted to play Crosstown Rebels tracks or you were sat at home with the CD blaring on your own audio set up, Crosstown Rebels were blowing up big! The series also contain a bonus mix CD which is a nice touch and have become a signature to the series structure with Clive Henry, Droog and Subb-An chipping in for volume’s 1 to 3 respectively.

The latest offering in the Rebel Rave series comes out on 6th April which follows the same format, a three disc boxset with the 3rd disc being a mix from Matthew Styles. We have only been able to listen to the 3rd disc but this has been a real treat (see track list below highlighted in bold) as we haven’t heard much of Matthew since his early Get Lost compilation in 2006 with Damian Lazarus (also on Crosstown Rebels). The mix has a tech house feel with an uplifting, funky sounding grooves and a tribal edge. It verges towards heavier techno sounds at points with Ida Engberg,Freaks and Raw District feat. Ellipsis. Mathew Jonson’s new track In The Stars finishes the mix with an epic 8 minute uplifting progressive track. The stand out tracks are TEED & Eats Everything – Lion, No Lion (Gerd Sub Tech Mix), Canvas – The Cat, The Royal We – Party Guilt (Matthew Styles Remix), Ida Engberg – Devil Dance (Mr. G NY Dub) and Mathew Jonson – In The Stars.

Our final verdict is that this release looks very promising, see the tracklist below, as there is a great deal on offer from deep house to techno with some great styles in between from a typically diverse collection of artists. It is great to see Matthew Styles back with a bang as this mix is one of the best in the Rebel Rave series, the music shifts over the 68 minutes to show off his own style nicely. We can’t wait to get our hands on the full release and keep our Crosstown Rebels collection up to date.

Thanks for reading

TBC

CD 1
01. Francesca Lombardo – What To Do (Matrixxman Remix)
02. Amirali – Melancholia (Deetron Unreleased Club Mix)
03. Kele Okereke – Heartbreaker (Recondite Amati Mix)
04. Subb-an featuring S.Y.F. – Say No More
05. Ida Engberg – Devil Dance (Adam Beyer Remix)
06. Him_Self_Her featuring Kieran Fowkes – Love Me Like I Used To (Francesca Lombardo Remix)
07. Mathew Jonson – Body in Motion (Akufen Remix)
08. Jamie Jones & Luca C – Tonight In Tokyo (Cassius Remix)
09. Azimute – Always
10. Russ Yallop featuring Aimee Sophia – The Journey
11. Pezzner & Amina – Exit

CD2
01. jozif featuring Little Bear – The 508
02. Him_Self_Her featuring Kieran Fowkes – Gone Too Long
03. Ali Love featuring Kali – Emperor (Maceo Plex Last Disco Remix)
04. Psychemagik – Black Noir Schwarz (Mineo Remix)
05. Totally Enormous Extinct Dinosaurs & Eats Everything – Lion, The Lion (Gerd´s Deep Dub)
06. Fur Coat – U Turn
07. Kele Okerkeke – Candy Flip
08. Luca Cazal & Mark Jenkyns – Bullfrog
09. Mathew Jonson – Kissing Your Eyes (Tale Of Us Remix)
10. Damian Lazarus & The Ancient Moons – Lover Eyes (Dixon Re-Edit)
11. Subb-an featuring The Million Plan – Vapour Trails (Matthew Herbert Remix)

CD3 – Matthew Styles Rebel Rave Mix 
01. Latex – The Porcupine 
02. Dyed Soundorom featuring Aaron Carl – Naked 
03. Jamie Jones featuring Ost & Kjex – Summertime (No Ears Mix) 
04. Totally Enormous Extinct Dinosaurs & Eats Everything – Lion, The Lion (Gerd Sub Tech Mix) 
05. Presslaboys – Electric Generation (No Ears Dub) 
06. Canvas – The Cat 
07. Peace Division featuring Pleasant Gehman – Voodoo (It’s In The Wall) 
08. The Royal We – Party Guilt (Matthew Styles Remix) 
09. Freaks – UMAKENOSENSE (Radio Slave MFF Mix) 
10. Ida Engberg – Devil Dance (Mr. G NY Dub) 
11. Raw District featuring Ellipsis – Ragged Star (Josh Wink Rethink 1) 
12. Ali Love – Another (Tuff City Kids Remix) 
13. Glimmer Twins v’s Ray Mang – UFO Is Coming 
14. Dyed Soundorom featuring Aaron Carl – Naked (Stripped Mix) 
15. Matthew Jonson – In The Stars