Aphrohead – Resurrection TBC Promo Review

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We are proud at TBC to be able to bring you another promo album review and this time its the turn of Aphrohead with his album “Resurrection” on Crosstown Rebels. Already we can imagine you are asking “who is Aphrohead?” but don’t worry we initially asked the same question and in fact actually bypassed this album early on when it became available. With a little bit of detective work however, we found out that this is in fact an older alias of Felix Da Housecat which has been resurrected with an aptly named album title. Felix Da Housecat is an old favourite of TBC from way back in the early naughties when we were introduced to the sounds of electro clash which was heavily influence by the crazy electronica of the 80s but spiced up with the newer, more contemporary sounds of electro (heavy basslines, acid squelches, drums and many other effects you could throw in). The seminal track Silver Screen, Shower Scene lead TBC to discover artists such as Jacques Lu Cont (Thin White Duke remix of the aforementioned track), the label City Rockers which brought us some great compilation via Damian Lazarus (discovering Damian at the same time too who would go on to great things with Crosstown Rebels), Soulwax, Tiga, Ellen Allien and Miss Kittin to name but just a few of many, many DJs and producers. Once we found out who was behind the Aphrohead alias we therefore became very excited! The LP provides us with 10 new tracks to listen to and review which take us on a journey from electro to heavy techno, we hope you read on and can enjoy the album yourself.

Tracklist:
1. RESURRECTION
2. KlymaXXX
3. Come to ME
4. Let’s PRANCE
5. Elevator (I’ll Take The Stairs)
6. Grown Man Cryy
7. 1KING 1QUEEN
8. Medusa
9. Front to Backk
10. Sashe Sashe Sashe

From the 1st track you feel right at home with the album title track Resurrection which is signature Felix Da Housecat, vocoder lyrics, electro synth keys and uplifting tune ease you into the album, welcome back Felix! KlymaXXX steps it up a notch but continues in the electro clash style with a rolling bassline, uplifting synth keys and squelchy sounds that hark back to the early naughties and leave a smile on your face as you cannot fail to be entertained by this track, its uplifting, euphoric and feels like a sign of good things to come on the album. The track builds and builds to a climax, pardon the awful pun. Come To ME can also be put into the electro genre but with a more deep house feel, the track is atmospheric, moody and again delivers some excellent keys and a nice kick drum which moves along nicely. It is a step down in pace from KlymaXXX but nonetheless it continues a run of three great tracks to start the new album. At this stage it feels like Aphrohead was trying to lull you into a false sense of security where the three previous tracks sat nicely in the electro genre, this tracks introduces some heavier bass and a number of different drums which move the track into a more techno vein (which obviously excited TBC), by two minutes in you are wanting to prance like the track is telling you to as a marching techno beat kicks in, “let’s prance”. By the time you get to track 5 you start to forget that you had been enjoying the electro a few tracks ago as we move into some heavy bass tinged techno with Elevator (I”ll Take The Stairs). While we have no idea where the track name comes from and to be honest the title seems totally random, this track is an excellent bouncing, rolling techno track with some great percussion thrown in for good measure and the vocal is perfect. Play this track loud and you will be thoroughly entertained, turn the sub woofer on and you will be blown away and of course you will be upsetting the neighbours. Mid way through the album and you are well on course for the heavy techno we eluded to in our introduction.

Onto the second half of the LP we go and Aphrohead continues to deliver, Grown Man Cryy is up sixth and wow this is a stormer, it starts hard and continues throughout. This is full ‘pots and pans’ style techno, its fast, heavy, has a kooky lyric which delivers in a monologue style (which sounds like Felix himself, what do you think?) with some gospel style elements  and simply rocks. Some may be offended by the heavy nature of this track as it is simply relentless but TBC absolutely love it and it is one of the standout tracks on the album. 1King 1Queen, which some of you may recognise from a recent TBC DJ set is another of the standout tracks on the album, heavy techno continues and once again the vocal is on point to deliver a balanced package of tune and vocal. The techno is straight out of Tresor, hard, banging, fast and is right up TBC’s street. When the vocal comes in it is haunting and freaky along with a circus style fairground tune (a distorted accordion sound) before the techno bangs straight back in. Where has Aphrohead been hiding if he has had this level of techno in the making, this level of production is what we would expect from Felix but not on this genre! By the time you get towards the end of the LP you may be a little exhausted but track 8 Medusa does not relent however it doesn’t match up to the levels experienced in tracks 6 and 7. The production level decreases with a more acid squelch track that doesn’t vary too far away from its core apart from the Medusa lyric that is thrown in from time to time. The track is well suited to the second half of the album as it continues the heavy techno vibe but it fails to inspire, it does have some crazy, scary effects and sounds towards the end though. Front to Backk is the penultimate track and the you may think that Aphrohead would start to bring the album down a few notches but the heavy techno continues and the production level picks up a bit too from Medusa, returning to the style of the earlier standout tracks, turn it up loud and scare your friends, this track is crazy. The last track Sashe Sashe Sashe does finally see a slight drop in pace and is not as monstrous as the last 4 tracks but it still falls into the techno bracket and is a great way to end the album as it introduces some melody and atmospheric sounds to the techno structure. “Sashe let’s dance” is one of the lyrics but we doubt you will need this reminder as you will have been dancing your ass off for the last 40 minutes.

As the album comes to an end you will want to put it on loop and listen again, or extract a few favourites and belt them out loud to really appreciate this album. We will have this on our stereo and will be waxing lyrical about it at TBC HQ for some time to come. Super album Felix/Aphrohead, we are pleased you have resurrected this old alias courtesy of Crosstown Rebels and look forward to more of the same soon.

Thanks for reading, more to come very soon.

TBC

2014 Playlist Review and the TBC Favourite

February Selection:

Dj Kicks – Brandt Brauer Frick 

BBC Essential Mix – Kolsch * 

BBC Essential Mix – MK 

FabricLive Vol.73 – Pangaea 

Watergate vol.15 – Kerri Chandler 

Live @ Output, Brooklyn NYE 2013 – DJ Tennis 

June Selection:

Decay – Efdemin 

It’s Album Time – Todd Terje 

BBC Essential Mix – Marcel Dettmann *

Do It Again – Royksopp & Robyn 

Fabric #75 – Maya Jane Coles 

September Selection:

Fabric #77 by Marcel Dettmann – Various Artists 

Too Slow to Disco – DJ Supermarkt 

Global Underground #40 by Solomun – Various Artists 

Defected Pres. Nic Fanciulli in the House – Various Artists *

Essential Mix of the Year Selection:

BBC Essential Mix – Bicep 

BBC Essential Mix – Caribou 

BBC Essential Mix – Jon Hopkins 

BBC Essential Mix – Joy Orbison *

BBC Essential Mix – Ten Walls 

December Selection:

Balance Vol.25 – Danny Tenaglia 

Watergate Vol.17 – Pan Pot 

Balance Pres. – Kolsch 

Verbalizer – Anthony Rother *

Sankeys 20th Anniversary – Darius Syrossian 

 

Introduction

This is probably the latest edition of any music website’s ‘best of 2014’ article but at TBC we like to do things differently and are not worried to break the mould from time to time when necessary. While you may have had to wait some time for this article it will not have had its relevance diminished by the tardiness in its publishing. 2014 was a great year for electronic music and the playlist above which shows the shortlist from each of our playlist’s last year and is a clear indication that we were graced with some great production albums, compilation CDs and live mixes/radio shows. If you were to have a listen through the best of selection above you would be spoiled by some of the best producers; Dettmann, Rother, Efdemin, CD series; Fabric, DJ Kicks, Balance, Watergate and the best (TBC’s favourite anyways) radio show the BBC Essential Mix. While the music industry life cycle process seems to shorten each year with individual tracks coming and going at an ever increasing pace these mixes and albums have captured and exhibited a key milestone in electronic music. Their ability to deliver such range and diversity in electronic musical genres while exhibiting such quality throughout the mixes and albums is something to be proud of as a music fan and a great indication of a buoyant and healthy industry.

In order to select our favourite of the year we have reviewed our previous favourites shortlists, taken heed of our own advice in the previous  favourite choices and had a listen through them again. Are our previous favourites still at the top of our list, are some still in our CD player or on our iPods, have we forgotten about some of our previous selections?! The review and selection process isn’t easy when trying to select your favourite from a whole year however in 2014 TBC can remember some mixes very vividly and these are the ones which we have homed in on in order to select our favourite of 2014.

Verbalizer – Anthony Rother (2014)*

Defected Pres. Nic Fanciulli in the House – Various Artists (2014)*

Fabric #77 by Marcel Dettmann – Various Artists (2014)

Too Slow to Disco – DJ Supermarkt (2014)

BBC Essential Mix – Marcel Dettmann (2014)*

BBC Essential Mix – Jon Hopkins (2014)

We are pleased to see a balance across our 2014 shortlist in both genres and format; electro, techno, house, electronics and disco are represented via production albums, compilations and radio shows. We always like to keep our options open and ensure that we capture as many formats as possible when we compile our playlists and review our favourites and this is nice to see.

Pete Tong always represents with his legendary and consistent Essential Mix show on BBC Radio One, our previous feature on the 2014 best mix highlighted his ability to maintain his curating excellence with such a wealth of talent on show. Our previous selection Joy Orbison we felt was the best of the year but for our enjoyment factor we only included Marcel Dettmann and Jon Hopkins as we are still listening to them into 2015 which is testament to their quality as they can still compete with the new shows which air every week!

Fabric continue to rollout their series which ties in with their Saturday night event along the lines of techno and house, they haven’t been that consistent over the last few years but continue to provide a few gems each year and Mr.Dettmann’s offering not only shows off Fabric’s techno heritage but also himself as he has two places in our shortlist for 2014 which is an amazing feat.

Our most recent playlist and review brought Anthony Rother back into the limelight, he is one our all time favourite DJ’s who has helped introduce TBC to so many of our favourite DJs and music styles, Bodzin, Huntemann, Gigolo style electro house, haunting/scary electro, techno and bleepy/freaky minimal techno. We were so pleased to see his new album Verbalizer bring back his signature sound with a 2014 twist and freshness.

Nic Fanciuli is a DJ who I have personally seen DJ since he began as a resident back in Club Class in Maidstone around the early 2000’s. He has provided so many good sets over the years and continues to represent all things Maidstone while taking over the DJ world with his club nights and also providing some of the best mix compilations we have ever heard; Renaissance, Mixmag CD’s, back to back compilation with James Zabiela etc. His new mix on Defected is another superb addition to his discography and another superb release on the Defect label which has been on a role in recent years with their In The House and Masters series. This two disc compilation lead to complaints in a hotel in Manchester when celebrating my birthday in July 2014, we listened to it on repeat the whole weekend while dancing around like wollies and it remains one of our first choices for any pre/after party.

Finally one of favourite DJ’s at the moment not just because of his great DJing ability, his excellent website promoting all things disco and electro pop; ‘How Do You Are’, but also because he is genuinely one of the nicest DJ’s out there. After some twitter correspondence with the disco king from Germany, he even invited us to one of his parties in Berlin when we visited this Easter (2015) to finally meet one of our heroes. His mixes are legendary and are well worth checking out via his Soundcloud page, his previous guise as Le Hammond Inferno is one of legend if you are into certain musical circles and his recent Too Slow Disco series (which is soon to be added to with volume two in summer 2015) is pure excellence. The track selection, the album art, the introductions to the tracks and the album itself are genius. Reviving leftfield classic disco from the 60’s and 70’s when others look to the standard classics from that era is both brave and highly commendable as it exudes that geeky side of music where he trudges through old vinyl and classics to find those forgotten gems. DJ Supermarkt always seems to strike gold and his brave selections are so exciting to listen to at home and in the club when you see him live. We can only recommend seeing him live and because of his musical history knowledge you could probably take your Mum and your Gran and they would have a ball too!

The Verdict

As ever the final decision isn’t easy but we won’t bore you with the small talk at this stage, this time round anyways! Based on both being selected as one of our favourite previously back in September and continuing to entertain us at TBC it has to be Nic Fanciulli’s edition of Defected In the House. We don’t think this release got enough attention when it was released back in July, it doesn’t seem to have many publicised reviews on any of the big music websites but this compilation is exceptional. It represents the Nic Fanculli sound, his attention to detail when selecting the tracks is simply a masterclass in set structure and this is just a mix CD! The way each CD builds and flows between house and techno is just like seeing him live when playing a long set where he has time to take you on a Fanciulli musical journey. Congrats to Nic and Defected for the best release according to TBC in 2014. Great to see Maidstone representing at the top of the electronic music industry. We expect Nic to continue his domination of the World in 2015, he already has a world tour planned and the Social festival later in the year, we hope he has a great year and TBC followers and fans get a chance to see him.

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We would like to commend both DJ Supermarkt for providing us with such entertainment with those Too Slow To Disco gems and Marcel Dettmann for featuring twice in our 2014 shortlist, you only just missed out on being selected our 2014 favourite.

Bonus Treat

We haven’t included a favourite track of the year before and its always hard to pick a favourite across genres and the whole year but 2014 belong to a track from I Break Horses called Faith which featured in the Jon Hopkins Essential Mix in one of the greatest mixes ever between the Gary Beck Alogoreal track and the Fields remix of Faith. Jon Hopkins is to thank for bringing this track to my attention and ever since at TBC it has been on repeat. It has featured on our recent TBC playlists that we create every so often, it has been played loud at TBC HQ, in the car on our travels, in Berlin on holiday, the list is endless. This track is perfect electro, moody, progressive, catchy, an amazing vocal, great bassline and simple but perfect track structure. The original version is our favourite and its 3 minutes and 48 seconds of perfection, have a listen using the link below, we challenge you to not dance around like a lunatic and avoid a massive smile on your face. The Fields version is also linked below to see the alternative version that Jon Hopkins used, it is an 11 minute techno stormer! We would recommend you also check out their album Chiaroscuro for an alternative listen.

 

Many thanks for all the support in 2014, we hope to see you all later in the year at our next TBC event and keep coming back to read our latest articles.

TBC

Future Disco Vol.8 – Nighttime Networks

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At TBC we love techno, it is our favourite genre of electronic music but our love of electronic music generally means that we cast our net further afield to ensure that we enjoy all flavours of electronic music. In 2009 we encountered the rebirth of a music genre that lies at the foundation of electronic music, the general party/clubbing scene and a genre that we not only love but were brought up on by our parents; Disco. The resurgence of D.I.S.C.O in 2009 was via a few niche labels that reintroduced the genre through deep/funky house and they also promoted their sound with two new amazing CD series; Horse Meat Disco and Future Disco (via Needwant records). Both of these series exploded with the former now up to vol.4 while running a successful label night all over the world and the latter releasing 7 volumes of exquisite disco cuts, also running a successful global franchise and helping rear some of the more successful producers in the scene; Tensnake and Aeroplane to name a couple. Future Disco have now announced their newest edition titled Nighttime Networks which is volume 8 in the series and we have been lucky enough at TBC to get our hands on a promo copy way before its release date on the 20th April, thanks Future Disco and Needwant records.
 
The style of the mix is similar to the previous CDs in the series; quality disco and deep house with cool, classy beats and vocals. You will find yourself tapping your feet all the way through and smiling to the warm vocals and nice mixing style which keeps the flow moving nicely. The first five tracks which lead up to Zoot Woman’s Don’t Tear Yourself Apart are the perfect intro. The Working Elite’s Freedom changes things up with an acid remix and old school house sounds by Tuff City Kids. Bufiman funks it up with Running (The Chase) which features some nice guitar strings and a catchy hand clap. By the time Johannes Brecht’s Another World kicks in the mix takes a new direction into a more uplifting progressive style which is a new direction for the Future Disco series, this tune is just epic. Vimes’ Celestial and Few Nolder’s Clouds then continue the uplifting progressive vibe. These three tracks work together very well. The mix then changes pace again with Fur’s Pulp to bring the mix towards a close but there are still three tracks to go; Hot Chip’s How Do You Do (Zabiela Remix), Portable’s Surrender and Weval’s Something. The final three tracks finish with a more eclectic feel, Surrender is a dreamy vocal track with a blissed out feel and the mix ends with Something which continues in the same vein as the BPM slows and the vocals are echoed to create a chilled, dreamy effect.
 
The standout tracks on the mix are Few Nolder’s Clouds which is one of our favourites over the last 12 months. It is such a versatile track featuring in so many types of dj sets and mixes. The Working Elite’s Freedom and Bufiman’s Running (The Chase) are typical standout Future Disco tracks that also fall into the deep house and disco genre respectively. Johannes Brecht’s Another World should also get a mention as this is a great release on Mario Basanov’s label BOSO.
 
Our overall opinion at TBC is that this is the most alternative of the Future Disco series leaning more towards the Poolside sounds or the most recent All Day Dancing mix series. While the mix works well and you will enjoy it the fact that the disco foundation hasn’t been retained makes volume 8 feel too fragmented and diverse. We hope that the next in the series returns to its roots as we are sorry to say that unfortunately this is the weakest of the 8 volumes.
 
Thanks for reading.
 
TBC
 

TRACKLISTING

CD1 – Mixed

1. Andras Fox – Your Life

2. Musk – Waters (feat. Merveille Mubakemeshi & Avidus)

3. Ron Basejam feat. Danielle Moore – Dippin’ In

4. HNNY – 12.00

5. Zoot Woman – Don’t Tear Yourself Apart (Chopstick & Johnjon Remix)

6. The Working Elite – Freedom (Tuff City Kids Acid Over Remix)

7. Bufiman – Running (The Chase)

8. Krystal Klear – Fumer Tue

9. Johannes Brecht – Another World

10. VIMES – Celestial (Gardens of God Remix)

11. Few Nolder – Clouds (Boso Reversion)

12. Fur – Pulp (Linkwood’s Stargazer Mix)

13. Hot Chip – How Do You Do? (James Zabiela Remix)

14. Portable – Surrender feat. Lcio

15. Weval – Something (Live)

CD2 – Unmixed

1. Bufiman – Running (The Chase)

2. The Working Elite – Freedom (Tuff City Kids Acid Over Remix)

3. Few Nolder – Clouds (Boso Reversion)

4. Johannes Brecht – Another World

5. VIMES – Celestial (Gardens of God Remix)

6. Hot Chip – How Do You Do? (James Zabiela Remix)

7. Musk – Waters (feat. Merveille Mubakemeshi & Avidus)

8. Ron Basejam feat. Danielle Moore – Dippin’ In

9. Weval – Something (Live)

10. Portable – Surrender feat. Lcio

TBC Playlist December 2014

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Kompakt Vol.14 – Various Artists (2014)
Balance Vol.25 – Danny Tenaglia (2014)
Balance 26 – Hernan Cattaneo (2014)
Panorama Bar Vol.6 – Ryan Elliot (2014)
Get Lost VII – Craig Richards (2014)
Stil Vor Talent Berlin – Schlesisches Tor – Various Artists (2014)
Fabric Live 77 – Erol Alkan (2014)
Rainbow Disco Club – Prins Thomas (2014)
BBC Essential Mix – Anja Schneider (2014)
I Love Techno 2014 – Brodinski (2014)
Defected Pres. House Masters –  Masters At Work (MAW – 2014)
BBC Essential Mix – Bicep (2014)
Watergate Vol.17 – Pan Pot (2014)
Get Physical 12th Birthday at Watergate Live Set – Dj Hell (2014)
Play 05 Vienna – Oliver Huntemann (2014)
Abaporu – Gui Boratto (2014)
Nobody Knows – Joris Voorn (2014)
Reincarnations Vol.2 – DJ Koze (2014)
Reverse Proceed – Slam (2014)
Blurred – Huxley (2014)
Satellite – Sam Paganini (2014)
Tropical Autumn A Laid Back Mix of Modern Sad Beach Disco  – DJ Supermarkt (2014)
Monoliths – Dustin Zahn (2014)
Acid Thunder More Definitive Original Acids and Deep House 1985-1991 – Terry Farley (2014)
BBC Essential Mix – Steffi  (2014)
Weekends & Beginnings – Mister Saturday Night (2014)
The Inevitable End – Royksopp (2014)
BBC Essential Mix – Huxley (2014)
BBC Essential Mix – Jon Hopkins (2014)
FACT Magazine Podcast November – Ben Klock (2014)
RA Podcast #368 – Marco Shuttle (2014)
Zone 18 Love/Kraft Pt.2 – The Hacker (2014)
Future Disco Pres. All Day Dancing – Various Artists (2014)
Long Play – Paco Osuna (2014)
Slowly Exploding 10 years of Perc Trax 2004 – 2014 – Perc (2014)
Chapters of Green Velvet Collection – Green Velvet (2014)
Annie Mac pres. 2014 – Various Artists (2014)
Balance Pres. – Kolsch (2014)
Cocoon Pres. Sound of the Season 15 – Sven Vath (2014)
Beats in Space 15th Anniversary -Tim Sweeney (2014)
Elaste Vol. 4 Meta-Disco and Proto-House – Various Artists (2014)
XLR8R Podcast #371 –  Floorplan (2014)
BBC Essential Mix – Joy Orbison (2014)
BBC Essential Mix – Caribou (2014)
Verbalizer – Anthony Rother (2014) *
10 Years of Systematic – Various Artists (2014)
Content – Ralph Lawson (2014)
Sankeys 20th Anniversary – Darius Syrossian (2014)
 
Classics
Times – David August  (2013)
RA Podcast #115 – Patrice Baumel  (2008)
11 Years Cocoon Recordings Selected Remixes and Retrospective Mix – Patrick Kunkel (2011)
CLR Reconnected 02 -DJ Emerson (2012)
CLR Reconnected 01 – Monoloc (2012)
 
 Intro
 Good Day TBC followers we are now bringing you articles thick and fast to make up for our slow end to 2014 and slow start to 2015, we hope you can keep up. This time round it is the return of the regular TBC playlist slot and as the last instalment was published in September we have some catching up to do. We will also follow this article with our pick of 2014 which to be honest has been a great year for electronic music and TBC.
 
Since September there has been a huge tranche of album, compilation and podcast/radio show releases which simply overwhelmed us at TBC. As you can see from the playlist above we have been struggling to keep up with the sheer quantity while ensuring that we sniff out the new releases, listen to them and capture the best ones for this article. It is also worth noting that due to the BBC Essential Mix overload that we had in December (see our article https://technobreakfastclub.co.uk/2014/12/12/tbc-review-bbc-essential-mix-of-the-year-2014/) where we had a lot of commitment to these mixes, dedicating some serious time to the 2 hour mixes along with repeat listens to enable us to review and choose our favourite, we have been playing catch up ever since! Almost immediately after publishing our last article we had the new Balance from Danny Tenaglia to enjoy along with an almost forgotten (we missed it in the last playlist article) Panorama Bar mix from Ryan Elliot in its new free download guise from the Panorama Bar website. There are also a couple of record label compilations from some of our favourite labels; Kompakt, Systematic, Perc Trax, Still Vor Talent and Cocoon along with some great new production albums from some of our favourite producers and DJs from the last few years Anthony Rother, Slam, Joris Voorn, DJ Koze and Gui Boratto. There were also some newer artists; Sam Paganini on Drumcode, Huxley, Paco Asuna, Dustin Zahn and David August plus some curveballs for TBC which includes Annie Mac, Tim Sweeney’s amazing Beats in Space Anniversary CD, a Sankeys anniversary release from Darius Syrossian and Royksopp’s last ever album The Inevitable End. Please note that the BBC Essential Mixes and Mister Saturday Night’s Weekends and Beginnings will not feature in the shortlist below as they have been reviewed in a previous article, they may well feature in the ‘Best of 2014’ article however. It is clear to see from the names mentioned above that we have been spoiled over the last few months at TBC HQ. We have enjoyed listening to the releases above on our travels over Xmas and partying over the festive period.
 
We will be keeping the same format as normal with a selection of our favourite releases that will be highlighted above for easy identification and reviewed along with our selection of the best release for this playlist selection. This will also provide the last of our selections for 2014 and the shortlist will be put forward for the Best of 2014 article to follow.
 
Balance Vol.25 – Danny Tenaglia (2014)
Having first heard about Danny Tenaglia at the end of the 1990’s when he released his Global Underground Athens compilation (around this time is when I first got into listening to electronic music) this latest edition of the Balance series is somewhat of a treat for myself and a great addition to the series. Danny Tenaglia is a dance music legend, he has held residencies at the most famous clubs including Twilo in New York, toured the world playing to the masses and released a number of critically acclaimed tracks, albums and compilations without over saturating the market with quantity over quality. TBC have been fans for sometime and some of our favourite classics tracks and mixes are by Danny Tenaglia which include his most famous production track Music is the Answer and the compilations Back to Basics 10th Anniversary, Global Underground Athens and London, Choice a Collection of Classics and Futurism.
 
You could say we were excited when we heard Danny Tenaglia was adding to the Balance series with volume 25 but as you can deduce from the introduction above that would be an understatement. The mix is spread over 2 discs and it doesn’t fail to live up to expectation or to the hype that we placed upon it. Disc one starts with the signature Tenaglia sound, a tribal beat which builds with a great hypnotic groove, bass and percussion through tracks from 04LM, Ugo Carrano, Reboot, Talismann and Cowboy Rhythmbox. By the time he gets to Alpha Phase’s Dirtro II and MRI’s ES Geht Um Mehr the speakers start to grumble and the techno picks up pace. It builds and progresses and soon turns into a techno stormer mix peaking with Nicole Moudaber’s Movin’ On which is a truly epic thunderous bass filled track. The Basement Jaxx track was a surprise inclusion but the Michel Cleis remix of Mermaid of Salinas is superb tribal techno, perfect for the last leg of disc one. I’ll Do You by Thomas Schumacher starts to bring the disc to a close with a dubby, electro, vocal track which is a typical Schumacher track, well produced and in an alternative style without being difficult to include in this type of mix. Dadub’s Existence (Kangding Ray remix – one of TBC’s favourite techno producers) leaves you ready for more with a heavy, tribal techno track while suitably closing the first CD.
 
You may think that like other compilation CDs (and other editions of the Balance series) that disc two may go for a different direction, maybe chillout, experimental or eclectic but not Danny Tenaglia. It sets off where disc one ended with straight up techno, Danny obviously didn’t get the memo. Architectural’s opening track 04.1 is overlapped with Funkndy’s Station and has a quirky speak and spell vocal coupled with a banging techno bassline, if disc one left you wanting more then you didn’t have to wait long. This disc is definitely a step up from the first, the techno pounds courtesy of Regis, The Yellowheads and Antigone as Mr.Tenaglia seems to be preparing a Berghain audition CD to promote his new heavier angle. You can imagine at this stage TBC HQ was rocking as this CD epitomises our love for techno. We are introduced to a raft of new producers and artists across disc two but the quality and relentless techno is maintained. There are parts where you are treated to a nice euphoric blissed out piece of electronica like in Dax J’s Dreamscape (aptly named) but it is no surprise when the bass kicks back in, these little interludes and changes of style are signs of a very experienced club DJ who knows how to make a set flow. Midway through the disc Gregor Tresher’s Nightcolours is another nice tempo change, an uplifting tech-house track with a catchy electro key melody in the background. The latter half of disc two does see the one and only criticism of the mix as the direction and flow does seem to become erratic with the track selection becoming more diverse and quite difficult to follow which does affect your enjoyment. The techno is maintained but at the cost of the flow which is a shame when the previous disc and a half was flawless. It has to be said the final track UFO by Exploit is a serious track, fast pace, quirky alien/space sounds, a nice breakdown and a haunting feeling throughout, played loud it is excellent. Despite the strange ending to disc two this mix remains an excellent addition to the Balance series and a TBC favourite (not one for our neighbours though!).
 
Watergate Vol.17 – Pan Pot (2014)
Watergate has been a big player in the CD catalogue series representing the sounds of their amazing club by the Spree in Berlin. The series has included mixes by Ellen Allien, Tiefschwarz, Kerri Chandler (previously reviewed in our Playlist articles) and Solomun. They have managed to harness the sounds from the DJs selected, who are normally residents at the club at a given time, perfectly and this has meant the series continues into its 17th edition. This outing we were excited to see Pan Pot chipping in and finally being asked to grace the CD series as they have been long standing residents at the club and have provided many a great nights entertainment for TBC when we have been on our travels. The Pan Pot sound has changed over the years and as they have developed they have become harder in style pushing into the techno genre more and more, which of course has pleased us no end. This Watergate CD has come at a perfect time for Pan Pot who seem to be on the crest of a wave, releasing consistent production gems and their recent Mobilee Back to Back compilation was a superb addition to their back catalogue.
 
This mix is excellent from the start with tracks from Radio Slave Don’t Stop No Sleep and Shall Ocin’s Lurking Wolves to get you hooked and transfixed from the start. The energy level builds, the bass gets harder and the sounds more evil. Lurking Wolves is a particular highlight as this is a straight up club stormer with evil sounding synth stabs and a marching bass line, what you would expect from a Mathew Jonson or Maceo Plex number. The mix moves on and cranks up the techno and bass with tracks from Whyt Noize and Mark Broom, the latter titled Nucleus is an evil building track which sounds excellent loud with a number of effects, sounds and samples thrown in by the ever impressive Mr.Broom. We are then treated to the first of Pan Pot’s fine production pieces that feature in this mix titled Substance which is an electro techno stormer that we would expect from Anthony Rother, punchy synth noises build and tease to create a sinister atmosphere on this track. In keeping with the style of some of the earlier tracks it is no surprise that Maceo Plex’s Conjure Bass is featured just after the half way point of the mix. This track is one of many of the amazing production line that Maceo Plex has, he manages to churn out superb electro techno tracks for fun and Conjure Bass is up there with his best pieces of work. It has had some serious airtime as its transcends techno, house and the more urban style DJs and is one of the more mainstream tracks included by Pan Pot. When you hear it you will understand why – the bass, its progression, the squelches, the hand claps and its evil synth keys contribute to yet another Maceo Plex masterpiece. See you down the front for this one with the Watergate LED ceiling going crazy above you. The mix ends with a consecutive run of amazing tracks; Josh Winks now retro Are You There which has been rejuvenated by Ben Klock, Martin Eyerer’s Reckless and two superb Pan Pot collaborations with Slam and Vincenzo, Conductor and Fiction Inc. respectively. What an end to a super new addition to the Watergate series and a must have for any techno, Pan Pot or Watergate fan.
 
Balance Pres. – Kolsch (2014)
The Balance Presents series has been around for a few years now and has been an interesting addition to the normal Balance series release. Originally with the Presents Electric series which was a more leftfield electronic club series (one of the best was from Agent 86) and later the more DJ orientated releases from Jozif and Guy J – both are excellent. The single disc format means that the DJ only has 70/80 minutes to present their skills and sounds which has seen the series consistently deliver providing a peak time representation of the DJ’s style and music selection. In regards to the Kolsch addition of the Balance series we were excited at TBC to see one of our favourite DJs added to the catalogue and if you have seen him live this CD is a great representation of his live DJ sets. Energetic, progressive, euphoric and tough in places, there are lots of melodies and vocals thrown in for good measure keeping the mix diverse and balanced. If you haven’t been able to see Kolsch then this CD is a great starting point but be warned you will want to see him live once you have heard this.
 
The mix itself really kicks off when Its All Over by Pional (John Talabot remix) graces the speakers, this track is epic. When John Talbot is involved it usually means gold and this is excellent. It then descends into a few crazy techno tracks which were right up TBC’s street albeit a slight surprise so early on by Kolsch to drop these bombs. Track 3 is called Freeze by Danny Daze and this is followed by Patrice Baumel’s  Mile High Gang. You are then allowed to relax with the almighty Radiohead Videotape which is just beautiful before the CD gets into the groove with the more traditional Kolsch sound. His Punchbuggy track, Adrian Hour’s Chordgresion and the euphoric Odd Parents Learn to Fly (Maceo Plex Flight Home Remix) sum up the Kolsch sound perfectly. Kenny Larkin chips in with Plankton which helps to bring the mix down in tempo and is a nice broken up, blissed out house track. The Anthemic Caribou track Cant Do Without You (Tale of Us & Mano Le Tough Remix), which is similar in style to the Odd Parents track earlier, is then brought in for a great festival anthem moment. Even the concerning inclusion of a Coldplay track which has been remixed by Kolsch works well within the mix and suits the Kolsch style. All in all this is a great new addition to the Balance series and another great release from Kolsch. We have enjoyed this CD many times at TBC HQ since its release.
 
Verbalizer – Anthony Rother (2014)
When TBC discovered Anthony Rother’s label Datapunk and the incredible series We Are Punks we became instant mega fans of his. This series is the foundation for electro techno. Bodzin, Huntemann, Romboy, DJ Hell, Kiko, Billy Nasty and Anthony Rother all feature on the first compilation with production work that will blow your mind. The series became a collection with vol.2 and 3 being released with equally amazing content. Having discovered this series we delved deeper into his production work and his back catalogue is impressive, presenting an electro pioneer with experimental, techno, poppy infused electro which peaked with Popkiller, his most famous album. This isn’t to say there aren’t other gems; My Name is Beuys Von Telekraft is epic, his Fuse compilation is also amazing and This Is Electro (1997 – 2005) live album is stunning, including a live DVD set from Fuse in Belgium. His last few release were more of a chilled electronica affair and we were worried that the big hitting Anthony Rother may have disappeared but boy were we wrong. Verbalizer is Mr.Rother’s rebirth, this album is an exemplary piece of production. Start the album and listen from start to finish and you get the sense that he produced the album as a liveset, it flows perfectly from electro stormer to electro stormer. There are a few tracks that change up the pace of the album but they work so well you are please he has placed them where he has.
 
The album starts with Next which seems like a sound levels check with electronic sounding effects as he sets up his production kit ready to unleash his new monster productions. When Syncope kicks in you first get an idea of where this new album is going and you can’t help but smile and have a little dance. This track has a great pace, builds and builds with an infectious beat and then unleashes a grumbling monster electro techno bassline that harks back to the We Are Punks heyday. Zigby is not as intense but it has that Rother feel with its haunting electro sounds and goes at a nice pace to progress the album. Fire Viber cranks it up a notch and sounds similar to the Bodzin and Huntemann tracks of old with a nice Rother edge, sticking with the haunting electro style but picking up the pace and the bass levels creating a feeling of tension (which emphasises the haunting style). Invader descends to a heavier more freaky electro techno vibe with scary acid squelches which sets this track apart from the others. You still feel like you are on a journey through the electro world of Anthony Rather. Truthmaker moves the album into a more marching techno beat while still maintaining the same style on the album. This track would sit well in a good pace techno set and with its nice euphoric breakdown, which runs alongside the marching techno beat. It is one of our favourites on the album and one we hope to hear out when clubbing. Monophonia acts as a bridge track between the heavy previous track and the end of the album, the pace is slowed but the crazy electro sounds remain and they ebb and flow throughout the track taking you on a mini journey. Don’t be fooled, this track is by no means a filler or a chillout track but it does help the albums progression. Logical is track 8 and it is another of our favourites, it is a track that you could play at the start of your set as it has a great build up at the beginning but it could equally be played at peak time as the track progression is excellent to entertain the crowd or just yourself and the speakers if you are at home. Buffer Breaker again cranks it up a notch. A futuristic sounding electro monster with great evil synthesiser sounds and space like keys. The breakdown in this track is pure evil, thats all we can say, you need to hear this one. Man From Space ends the album with an uplifting progressive techno track that wraps up Verbalizer perfectly. This album is a must own and we cannot praise it enough, welcome back Anthony Rother. We just hope we can see him again live soon as his performances are like gold dust.
 
Sankeys 20th Anniversary – Darius Syrossian (2014)
This is one of our more leftfield selections for our best of playlist as club night compilations and anniversary albums are not normally anything special and while they provide an addendum to a great night if you were there or a sample of the night to those who were unable to attend they generally do not excel with tune selection or mix quality. This Sankeys album is different though. Having not attended the club for some time but being a big fan of the club since the mid 2000s when TBC frequented the Tribal Sessions nights which at that time were one of the best nights out in the country, we have always been interested in their releases, nights and events. Luckily this led to a great find with Sankeys 20th Anniversary CD mixed and selected by Darius Syrossian. We had not really listened to Darius before but knew him to have a good reputation due to his residency at Viva with Steve Lawler.
 
This compilation is a double disc affair which exhibits a first disc almost solely made up of Darius’s own tracks and productions. He does throw in the odd track by another to spice things up; Green Velvet’s Bigger Than Prince and Todd Terry’s Bounce to the Beat but they are all remixed or edited by Darius. We were more than impressed with this start to the compilation as it both surprised us, introduced us to Darius and got us dancing away at TBC HQ. The style of the mix is house with a chunky but uplifting style, lots of groove and funk is thrown in for good measure to entertain the Sankeys crowd. It would have been great to have been there and experience this set. Well done Darius! The second disc is more like the traditional anniversary CD with all the greatest tracks, some which I experienced at the club back in the day. Thick Dick, Loco Dice, Cobblestone Jazz, Argy, Green Velvet and Gus Gus feature, the latter with a track called David which is an all time classic from back in the day.  The combination of a great production set and a classics set all mixed over two discs is a great concept from Sankeys and it’s a refreshing angle on this type of compilation, One which works so well we have it featured in our shortlist. You won’t be disappointed with this one and its great for a house party.
 
The Verdict 
When it comes to selecting a favourite from above it is clear from the in depth reviews that we felt passionately about each selection and in turn this makes choosing a favourite difficult and probably one of the most difficult for a while. It doesn’t help that we have a production album thrown in with a few great compilations because it is hard to compare and then choose a favourite when the options are so different. Balance have to have a special mention as they have two mixes in the shortlist courtesy of their two streams of mix CDs; the big brother full Balance CD from Danny Tenaglia and the younger sibling Balance Presents series by Kolsch. To have released two great mixes in a short space of time is testament to their artist selection criteria and the series’ heritage. It was difficult to choose but we would have to go with Anthony Rother’s Verbalizer as our favourite. To come back with such an amazing and relentless production album structured in such a way that you feel like you are experiencing a live set is something else, a different level. We hope that you can have a listen to this album and experience his magical production touch.
 
Verbalizer – Anthony Rother (2014) *
 
Thanks for reading, look out for our best of 2014 shortlist soon!
TBC

Promotional Reviews February 2015

VIVa115_artwork

Happy New Year TBC followers, this is our second and very belated post for 2015. Apologies for the delay but with the festive period, a busy January and a disrupted February we have been unable to publish anything new until now. ‘Quality not quantity’ and ‘patience is a virtue’ are both sayings that come to mind in this time and fear not as we are bringing you a brand new promotional article now and this will be followed shortly by the end of year playlist for 2014 as well as our ‘Best Of’ 2014 article. This coupled with a very active 2015 for new music and you will see a lot of activity over the next month or so.

This article is being brought to you by a one armed, lame TBC writer as I unfortunately fell victim to the icey conditions in Sheffield in January. I slipped and managed to break my shoulder resulting in a long lay off, currently 3 weeks but due to be 4/5 in total, and extended rehab spanning a few months! It wasn’t pretty and I would not wish this injury on anybody. It hasn’t been nice, the pain has been bad and the partial lack of use in my left arm is frustrating. On the positive side I have had plenty of time to listen to music including an array of new promotional material from One Records, Eskimo Recordings, Culprit Records, Hot Creations, International Feel, Crosstown Rebels, Firehouse, Viva Music, Hot Trax, Rebellion and BLDG5 Records. I have also had access to plenty of pain killers to take the edge off so every cloud and all that. I hope you enjoy the article, the structure will be a short review for each of the 13 records and I will then select the TBC top 5 with a favourite which will get some extra write up.

This article has been a joy to write and we have enjoyed listening to the new records from artists such as Subb-An who recently completed his Essential Mix on BBC 1 and two great offerings from one of our favourite labels Eskimo Recordings. Skream also chips in with a new release – he has become an interesting prospect in the house and techno scene since his transition from dubstep. All this plus an array of new artists that have excited and entertained us at TBC HQ over the last few weeks.

Subb-An – Warp (One Records) 

Two great tracks on this EP; Warp and TV. Bass heavy, chunky tech-house with the A-side Warp focusing on a more stripped down groove and bassline while the B-side TV really excelling with its reverberating bassline and haunting vocals from Jacob Phono. This is Subb-An’s first release on the label he co-founded. Great first release and looking forward to the next one already.

Du Tonc – Every Song (Eskimo Recordings)

What you come to expect from Eskimo Recordings; they have such a nose for artists that deliver their signature sounds and with such a timeless quality. Du Tonc provides an uplifting summery pop/disco track with a great male vocal. Reminiscent of an Aeroplane/MGMT track which is testament to how good this track is. The only downside is that this is a single track release only.

Maxxi Soundsystem – Medicine EP feat. Name One (Culprit Records)

Culprit have a great array of artists who have featured over recent years; Lee Curtiss, Adriatique, Shonky, Subb-An and Hot Natured. Droog, a collective of DJ’s, have done a great job in developing their label. Uk based Maxxi Soundystem provides a three track release for Culprit titled the Medicine EP.The tracks sit in a nu-disco, house genre with a great vocal on each track from Name One. The title track is the standout track with wonky disco/electro infused house that accompany the vocal perfectly.

Denney – Pimp Out (Hot Creations) 

This is a two track release from Denney on Hot Creations (always such a busy record label) with Pimp Out. The title track is a catchy, nice paced and infectious house track that verges on G-House with its ghetto feel. There is even time for some acid house samples to leave this track sounding slightly old school-esque. The B-side Low Frequency has a slightly slower pace but where it slows down it adds groove and a superb acid squelch. The vocal is far more ghetto which again leaves this house near the G-House genre. Overall a great release from Denney and we could imagine dancing away to this one at Kater Blau in Berlin.

Satin Jackets – Shine on You (Eskimo Recordings)

As with Du Tonc Every Song, Eskimo Recordings are able to churn out quality disco and house with ease. Satin Jackets are stalwarts for Eskimo featuring on the label for a few years now and Shine On You doesn’t disappoint. This is a 5 track release of Shine On You and remixes: Radio, Original, Mighty Mouse, Ben Macklin Remix & Dub Remix. Ester’s vocals are perfect for this uplifting, summery, emotional and atmospheric pop/disco track. Mighty Mouse chips in with a more energetic and club ready remix while Ben Macklin slows things down to create a remix that oozes disco sophistication.

Double Knots – Double Vision EP (International Feel)

“Imagine Tangerine Dream soundtracking Miami Vice through Todd Terje’s ears” is the summary of this EP on the press release, nuff said. This is a three track release, on International Feel who specialise in the more alternative side to electronic music, from Double Knots. Each track is slow, atmospheric, cosmic disco that seems to come from a film score which is testament to the production quality on offer here. Its hard to pick a favourite but I would say the title track Double Vision mixed by Toby Tobias as it reminds us of a DJ Supermarkt Too Slow To Disco track, lets see those disco fingers!

Skream – Still Lemonade (Crosstown Rebels) 

Crosstown Rebels, as Hot Creations above, continue to churn out quality releases. This time Skream offers his Still Lemonade track with a remix from Redshape on the B-side. Skream’s transition to house and techno from dubstep shows that a quality producer can perform in any genre of music. The original is a progressive techno stormer which builds to an electro infused breakdown. The bassline, drums and synths are epic. The Redshape remix cranks it up a notch and leads the track into a more full on techno track with a thunderous grumbly bass.

https://soundcloud.com/factmag/skream-still-lemonade-redshape-remix

Kim Ann Foxman – Firehouse 002 

The second release on Kim Ann Foxman’s new record label Firehouse and Kim delivers more solid house production as she develops her style since pursuing a solo career outside Hercules & The Love Affair. A 5 track release, Open The House with 2 remixes from Eli Escobar, The Lady is a Vamp and Eye See Me. The Eli Escobar remix is the stand out track as it spices up the house formula to provide an uplifting feel with strong beats, key and percussion. The Lady is a Vamp is a quirky B-side with freak show-esque horror sounds and effects. Eye See Me completes the diverse record with a cosmic, futuristic sounding progressive track with a nice breakdown.

Mark Jenkyns feat. MC Chickaboo – On Me (Hot Creations) 

This is yet another Hot Creation release and another quality one at that. Mark Jenkyns provides us with a 4 track release named On Me which has 3 iterations; original, club tweak and Skream remix plus Like This. The vocal is the standout element to this track courtesy of MC Chickaboo. The Skream remix is the best of the 3, providing a club ready, well produced and polished track remix. The remix builds and develops around the vocal perfectly with an excellent breakdown for the dance floor.

Monday Club – Blackout (VIVa Music) 

Steve Lawler’s record label provides the next release from Monday Club who are Luke May and Paul Sidoli. They have been on the electronic music scene for some time and are a duo of high calibre. Blackout is a 5 track release; Blackout has two mixes (one from the recent on form Luke Solomon), Footprints and Girls Jacking. The theme for this record is ‘Accciieeeed’ and lots of it. Each track features the signature acid house sounds and squelches. Blackout has an old Speak and Spell computer vocal, Footprints is rave with a great male vocal and Girls Jacking is the most party track and does exactly what is says on the tin ‘jack’. Hard to pick a favourite as each is a solid release, the Solomon remix was not his best and doesn’t take Blackout to a new level, shame.

Raumakustik – Raider (Hot Trax)

Hot Trax is a sub-label for Hot Creations to release some tougher techno style tracks and Raumakustik provides Raider with a remix by the head honcho at Hot Creations Jamie Jones. The original is a marching tech-house track with heavy drums and effects that build, warp and reverberate the dance floor or speakers or both. Jamie Jones provides a tougher take on the track more towards techno focusing on the key elements of the track to produce a more bass heavy, sub-shaking track.

Dino Lenny – Dont Believe (Rebellion)

Another sub-label this time for Crosstown Rebels and Dino Lenny who has 90’s notoriety from remixing INXS, Underworld, Missy Elliot & Timbaland. He steps up with his newest production Don’t Believe. A two track release with Plastic Man on the B-side which is right up the street of Maceo Plex or Ten Walls which means this track is one that TBC like. The A-side is deep, progressive with haunting vocals and roaring chords that create a sinister sounding track. The B-side is dark and moody with keys that provide a ‘wub…wub….wub”  throughout. Progressive again in style with an array of effects, sounds and vocals. Couldn’t choose between the two as they are both excellent productions.

Garden City Movement – Modern West EP (BLDG5 Records)

The most alternative music offering of this article and to be honest it wasn’t strictly TBC material but we are always open to new music. Garden City Movement are an alternative urban group who produce experimental, urban sounding, dubstep,grime and pop crossover. A five track release with the title track being the weakest offering as it was just too cheesy. Each of the other 4 tracks were interesting with uplifting dubby track Rebellion and an alternative disco track with balearic sounds called My Only Love. Sorting Things Out was a crackly hubby number with nice percussion and beats while When We Had It Easy provides a broken beat pop record. Sorting Things Out was probably our favourite but the whole record was a nice alternative offering.

Our Top Five, in no particular order:

  1. Subb-An – Warp (One Records)
  2. Denney – Pimp Out (Hot Creations)
  3. Skream – Still Lemonade (Crosstown Rebels) 
  4. Mark Jenkyns feat. MC Chickaboo – On Me (Hot Creations)
  5. Monday Club – Blackout (VIVa Music)

Just choosing a top five has been difficult as there are some great records covered in this article. Dino Lenny’s Don’t Believe and the Eskimo Recordings releases were very close to squeezing in. Unfortunately we had to shortlist otherwise we would just be selecting every release from the 13 which is not only lazy but a failing when writing up a review article. In the shortlist we have a great Subb-An record on One Records (who were kind enough to share this promo release with us). He has been on a roll recently with his Essential Mix on BBC that was well received – we are sure he will have a good 2015. Denny is a new artist to TBC but his sound isn’t and this release is a great addition to our G-House collection, we can’t fault a good G-House record as we have become hooked since discovering the genre last year via Amine Edge and Dance’s Essential Mix and our experience at Kater Haus in Kater Blau, Berlin. Skream provides a sample of his upcoming album, which is to be released via Damian Lazarus’s Crosstown Rebels label, with Still Lemonade. This is a well produced club stormer with a great remix from Redshape, we challenge you not to be impressed with this record and we can’t wait to hear it out in a club. Mark Jenkyns is another newbie to TBC but MC Chickaboo isn’t as she featured on one of my all time favourite songs by Timo Maas which I loved so much back in the day I even invented a dance called the ‘Shifter’, I am not joking! On Me and Like This are great tracks plus the Skream remix is superb, he is on a roll at the moment. Monday Club was the surprise of the bunch as we weren’t expecting much from this one but it has provided the most fun at TBC HQ with the warehouse rave tracks, great acid house style and quirky effects, vocals etc. including the excellent ‘Speak & Spell’ vocal effect on Blackout which is so retro its excellent.

As you can tell from the positive words above selecting a favourite is difficult and to be honest has divided opinion at TBC HQ as it is between Monday Club and Skream and both are excellent. The remaining entries in the shortlist have to be commended and it is great to see such a great selection of new tracks from just the 13 we have been lucky enough to review. Having spent a great deal of time listening to each of the favourites we had to go with Monday Clubs latest EP Blackout. The duo have created a superb 5 track EP that captures the Acid sound and warehouse party vibe perfectly. Each track would be well received at a party but could be equally enjoyed at home on a nice bassy sound system. The reason this release sets itself apart from Skream’s release, only just mind you, is that Monday Club deliver on three different tracks and even throw in a Luke Solomon stripped back remix along with an Acapella mix for good measure. It isn’t often an EP provides entertainment from start to finish so not only is this the best release it is also the one with the best value for money. Please have a look at Monday Club’s Soundcloud page below and check out Blackout once it is released, unfortunately there isn’t a streaming link we can offer currently.

Congratulations to Monday Club – Blackout (VIVa Music)

soundcloud.com/mondayclubmusic

Many thanks for reading and we hoped that you enjoyed. We will be back soon with more on TBC.

We would like to thanks Maouris, One Records and all of the individual record labels mentioned above for the opportunity to review their latest releases.

Nick

Maouris Promotional Reviews – January 2015

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This will be our third promotional review linked with Maouris promotions and we are grateful for the opportunity to listen to and review their latest releases. This time we have been fortunate to have access to 15 of their latest single/EP releases from November/December 2014 and January 2015 which have ranged from blissed out electronica to techno including some disco, house and electro. The format of this review will be a brief summary of the releases, labels and tracks followed by a more in depth review of the best three releases from which we will select our favourite release.

We were kindly informed by the Maouris team that our access would include a greater range of labels this time round including; Visionquest, Rebellion, Hot Creations, International Feel, Crosstown Rebels, Eskimo Recordings, Soul Clap Records, Firehouse Recordings (Kim Ann Foxman’s new label), BOSO (Mario Basanov/Ten Walls label), Play It Say It (Seth Troxler’s label) and boy were we pleased to have such great access to this cross section of the electronic music market. A great deal of time has been spent listening, repeat listening, researching and providing our feedback to Maouris, now it is time for us to spread the joy to our followers and friends at TBC. The artists which featured along with their release title, record label and short summary are listed below:

  • Jay Haze – The Mulatar House (Soul Clap Records) – This EP features the bizarre and interesting Mulatar 3 sided string instrument which provides the foundation for the three tracks. Wonky, dreamy, balearic sum up this release.
  • Kim Ann Foxman – Firehouse 001 (Firehouse Recordings) – Hercules and Love Affair vocalist Kim Ann Foxman has been toying with electronic music production and featured vocals for a while now which has lead to her setting up her own record label fresh out of Brooklyn. Groovy, Acid Squelch, Haunting vocals and trip breakdown sum up the release.
  • Subb-An feat. The Million Plan – Vapour Trails (Crosstown Rebels) – Very extended player should be the format of this release as it features 6 tracks including the title track, Oasis and Black fire plus some great remixes including a Mathew Herbert classic. Bassy, Dubby, ‘Herbert-ised’ (new word for Herbert’s ability to create a new track with his remixes), Acid Arab sum up the release.
  • Johannes Brecht – Enjoy the Void (BOSO) – Mario Basanov AKA Ten Walls has helped set up and launch the label with this immense Ten Walls tracks over the last 12/18 months and this new release is cut from the same cloth with the signature sound that the label is now renowned for. Progressive, Emotional, Atmospheric, Uplifting, Eclectic sum up the release.
  • Len Leise – Music for Forests (International Feel) – the most bizarre release of this promotional selection and it needs to be heard to be believed. The words used to introduce this track by Maouris cannot be topped so I would recommend having a read – http://maouris.co.uk/music-detail.php?c=ifeel035-music-for-forests. Chilled, Dreamy, Nature, Percussion, Animals, Meditation sum up the release.
  • Luca C and Brigante feat. Roisin Murphy – Invisions (Hot Creations) – The follow up track to Flash of Light from the same team gives us Invisions which is another great release featuring Roisin Murphy who is a TBC favourite through both her Moloko and solo artist releases. Deep House, Summery, Amazing Vocals, Luke Solomon Remix (which is epic), sum up this release.
  • NTEIBINT feat. Birsen – Riptide (Eskimo Recordings) – George Bakalakos or NTEIBINT has releases on Warp, Kitsune and Bang Gang which ticks a lot of boxes that TBC admire in regards to record labels and musical genres. We were intrigued and interested with this release which is a blend of pop and disco. Electronica, Amazing Vocals (from Birsen, a Belgian vocalist), Pop, Disco, Electro sum this release up.
  • Berkson & What – Make it True feat. JoJo De Freq (Play It Say It) – in 2014 Seth Troxler set up his own label which has featured Sharam, Clarian and Steve Lawler releasing tracks with a sound that you would be familiar of having listened to Mr.Troxler’s own DJ sets. Sunshine, Groovy, Acid Squelch, Luke Solomon Remix (he is on fire at the moment, Essential Mix on the cards for Friday 16th January, don’t miss it!) sum it up.
  • Davi – Gates of Babylon (Rebellion) – From a subsidiary of Crosstown Rebels vast music empire comes a release via Rebellion and it is on the back of a recent wave of Arabic inspired tracks that Acid Arab have brought to the masses over the last 12/18 months. House/Techno, Progressive, Hazy, Summer, Arabic sum this one up.
  • Laura Jones – Eskipade (Visionquest) – Laura Jones is a fan favourite since her rise in the DJ ranks over the last 3/4 years courtesy of great DJ sets and releases. TBC were fortunate to see Laura in her early days when she played with Ellen Allien at Sankeys in Manchester (October 2011 – Queens of Sankey’s) where she was excellent. This new release is more straight up dance floor music with a heavy groove consistent throughout, perfect for the bass rich club sound system. Tech-House, Heavy Groove, Acid Squelch, Kick Drum, Hand Clap sum up the release.
  • Steve Lawler – House Record (Hot Creations) – Steve Lawler is a house music legend and provides the latest release for Jamie Jones and Lee Foss on their Hot Creations label with a sound that you would expect from the label; catchy, groovy house music. Acid House, Old School, Energy, Hand Clap sum this one up.
  • SEFF – Jack’s Back (Hot Creations) – a great EP from a new artist to TBC but SEFF has worked with Steve Lawler and Dave Seaman already which gives him a great pedigree. House music with electro and great basslines which sound excellent played loud. We will keep an eye out for SEFF in the future. Electro House, Old School Vocal, Sub Bass, Evil Synths sum this one up.
  • Sandeman and John Monkman – French Girl in Berghain (Rebellion) – Another release from Rebellion/Crosstown Rebels with a bizarre house track and a porno sounding female vocal that was born out of an experience at Berghain in Berlin for the tracks producers. Freaky, Shonky, Wonky, Epic Breakdown, Bizarre, Berghain sums this up.
  • Moreon & Baffa – A Mental Process (Visionquest) – This producer team hail from Venezuela and now reside in Barcelona, which is one of TBC’s favourite places in the world, and their roots and environment suit their production style. They are traditional producers who understand music at a ground level and are renowned for their music ‘architecture’ and sonic landscapes. Progressive, Structure, Minimal, Deadbeat Remix (heavy, synth noises and storming bass) sum this one up.
  • Dave Angel – Revelation (Crosstown Rebels) – A new release from a UK techno legend who has been around in the music industry since i was born in 1983. Dave Angel is well know for his 1990 mash up track featuring Sweet Dreams from the Eurythmics titled the Nightmare Mix (https://www.youtube.com/watch?v=pegKuWUR84Y) which is an acid house/rave stormer. Since this time he has released over 50 singles and albums making him a stalwart for the UK techno scene. Progressive Techno, Old School Vocal/Sample, Synths, Keys, 90’s, Bass sum up this release

As you will have identified from the diverse selection we have reviewed and summarised above selecting our best three releases and our favourite was very difficult. The variety of musical genres, some great remixes which transformed the EP, brilliant producers and featured artists have both entertained us over the last few weeks and had TBC asking themselves which releases stood out above the rest. The shortlist in no particular order:

1. Davi – Gates of Babylon (Rebellion)

  • Over the last 18 months Acid Arab have brought us their collection of tracks, an amazing RA podcast and influenced a whole scene in House music where the arabic sound has become very popular. TBC have enjoyed this direction in House music and always keep an eye out for new records that sit in this sub-genre of which Davi has now added his production work via Rebellion/Crosstown Rebels. This EP is excellent, it oozes quality production skills and the progressive style used works perfectly with the arabic sounds. You can play both tracks back to back and they mix perfectly which is proof of the quality in the production. It is hard to pick a favourite out of Gates of Babylon and Eclipse so we can only recommend them both.

2. SEFF – Jack’s Back (Hot Creations)

  • SEFF’s credentials over the last few years would enable you to predict that a great release was on the cards, working with Steve Lawler and Dave Seaman (two of the all time dance music greats) on their respective labels and with Great Stuff Recordings which is a TBC favourite label, however having not heard of the DJ before we were both surprised and excited with this release. Jack’s Back features three tracks; Like That, Jack’s Back and Zoot, and they are all excellent in their own way. Jack’s Back, the title track, is probably the weaker of the three but it still provides a great party feel and would be more suited to earlier in the night. Like That and Zoot are right on the money and provide energy, basslines, synths and old school sounds which sit between House and Techno perfectly, with Zoot being our favourite due to its marching beat and evil sounding synth sounds. We look forward to more from SEFF.

3. NTEIBINT feat. Birsen – Riptide (Eskimo Recordings)

  • The most leftfield of our selections in the top three but we would expect nothing less from an Eskimo Recordings release and an artist that has featured on WARP, Kitsune and Bang Gang which is a diverse yet excellent array of record labels in their own right. NTEIBINT has produced a track which sits well within the urban electronic pop genre which has been very popular over the last few years nesting nicely between commercial pop music and the gritty urban club scene. The radio edit is probably our least favourite version of the track as it doesn’t provide you with enough of Birsen’s beautiful vocal and NTEIBINT’s electronic production skills. The extended version sits at around 7 minutes and is the perfect duration to enjoy both aspects of the song. You will definitely find yourself bopping away to the tune, humming to the vocal and wanting to play on repeat. The Dub version even provides an option to play out in the club during a disco or house set which is nice.

We would highly recommend all three releases but our favourite has to be SEFF as it is the most suited to TBC and we could imagine dancing around to Like That and Zoot on the loud sound system at one of our nights. The EP features three great tracks, doesn’t worry about remixes and just focuses on the dance floor and production. We hope to see SEFF playing out at some stage and hope the next releases maintain the same quality and style.

Notable mentions go to Johannes Brecht’s Enjoy the Void on BOSO and Subb-An’s Vapour Trails on Crosstown Rebels who were close behind the selections above but didn’t quite make it. There are also some notable tracks also that did not make it onto the shortlist but they were true gems on their respective EP. Luke Solomon’s remixes are standout for Luca C & Brigante feat. Roisin Murphy Invisions  and Berkson & What Make it True. These are the two most recommended remixes across the selection. The Mathew Herbert remix of Subb-Ann Vapour Trails is a close third.

We hope you have enjoyed reading, look forward to your feedback and we will bring you more promo reviews soon.

TBC

Promo Album Review – Mister Saturday Night pres. Weekends and Beginnings

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Welcome back to another of our Promotional Album Reviews for TBC. This time we are announcing another of our amazing opportunities to review a great record label release; Mister Saturday Night. When we visited New York in April 2014 we got caught up in the hype that accompanies this amazing night as we planned our partying over the Easter Weekend and visited the local record shops in Brooklyn. Unfortunately there wasn’t a Mister Saturday Night party that weekend but we heard plenty about the label from local record shops owners and employees who were keen to promote the latest EP release. TBC feel an affinity with Mister Saturday Night (MSN) based on our experience of their nights, musical stance and dedication to a good party and their mission on their website:

“Mister Saturday Night strives to do a little more than a typical party. With a love of great music and a passion for bringing people together, we try to create an experience that’s truly fun and engaging for everyone involved – party people, DJs, bartenders and doormen alike.”

We were very excited when we were offered a chance to be added to their promotional mailing list and couldn’t wait to review their next big release in November which was to be a new compilation CD. We will also be reviewing the back catalogue including the amazing LP Brother and Sisters (released back in July 2014)

Eamon Harkin and Justin Carter, commonly know as the duo Mister Saturday Night, provide the DJ collaboration for their record label’s (which shares their duo name) latest release called Weekends & Beginnings. The mix CD was released on the 18th November and is available through on line retailers and iTunes. It was recorded live at an MSN party in August 2014 and from the outset you know this one is going to be special when the French vocal led track from Le Chanteur graces your speakers. This is followed by a great disco track from Terrence Jerome and then slips nicely into a groovy, piano infused, vocal house track from Alice Smith titled Love Endeavour.  This track eases you into the mix and helps you to imagine the mood in the club with the musical flow developing a great party vibe. It doesn’t take long for the MSN duo to introduce some heavy drum beats and show off their eclecticism with a heavy percussive, tribally track from Nebraska and a new track from Cobblestone Jazz (Mathew Jonson lead trio) which pulses with an acid sounding baseline. The mix continues to develop and features some great artists and tracks; Mr.G, Anthony Parasole and Caribou. The mix really steps it up a notch at around the half an hour mark with a superb remix by Motor City Drum Ensemble of Caribou’s Leave House which builds on the haunting vocal to deliver a atmospheric progressive track that sits well within the mix and shows off the remixers signature sound. This is then followed by a great samba style track featuring trumpets and piano keys from Adessa Versions that makes you shake your ass. The proceeding tracks maintain the uplifting vibe of the mix CD with gospel style, funky and samba style percussive house that lead up to TBC’s favourite track Take That from Jurgen Paape which is a true TBC classic. Take That does exactly what is says on the tin and thrusts a bouncy, electro synth track right in your face, we couldn’t help but turn the mix up at this point, throw some shapes and even enjoy a cheeky ‘rewind’ moment as we had to listen to the track again. Next, Ike Release brings you down with a moody, hazy progressive track called Phazzled which then leads on to quirky, dubby,  broken vocal track from Recloose and then to Bassclef’s dreamy soundscape. Finally ending the mix with an amazing track from Sam Orwell which features an awesome saxophone solo to provide you with a sublime yet eclectic finale.

Tracklisting:

01. Le Chanteur – La Passion des Collines**
02. Terrence Jerome – Believe**
03. Alice Smith – Love Endeavor (Maurice Fulton Remix)
04. Nebraska – Green Marimba
05. Cobblestone Jazz – Traffic Jam
06. Mr. G – Daily Prayer
07. Anthony Parasole/Elgato – Quickstrike/Zone
08. Caribou – Leave House (Motor City Drum Ensemble Remix)
09. Adesse Versions – Modal
10. Jasper Street Company – Solid Ground (Tommy Musto Remix)
11. House of Gypsies – Another Worry
12. Lord Nelson – Shango (Daniel Haaksman and DJ Beware Remix)
13. DJ Duke – Sun Beats
14. Jurgen Paape – Take That
15. Ike Release – Phazzled
16. Recloose – Can’t Take It (Herbert’s Some Dumb Dub)
17. Bassclef – Ghost Kicks In The Spiral
18. Sam Orwell – Secret Nothings**

Weekends & Beginnings is top notch eclectic house party set that leaves you envious of not experiencing it live, the added crowd noise just adds to the jealousy. This style is exactly what TBC HQ love in a good mix CD and it will remain on our playlist for a while. Disco, ‘eclecticity’, techno and house all feature and yet at no point, despite the diverse tracklist, do you ever feel like the mix is disjointed, it flows so well that it highlights the Mister Saturday Night party formula creates the perfect party mix. We need to get our asses back to Brooklyn NYC, fast!

We hope you have enjoyed the review and we cannot recommend this mix high enough.

Thanks for reading, and thank you to the Mister Saturday Night team.

If you would like a sneak peak at the NYC loft party vibe then check out the great feature on Resident Advisor below:

TBC

Album and Single Releases – Promo Reviews

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Evening TBC followers, as promised in our latest TBC Playlist blog (hopefully you have all had a chance to read the latest edition) we have a special surprise and great new feature to our review section. We have teamed up with Maouris, who are responsible for promotions for some of the best labels in house, disco and techno. Currently bringing you new and current single & album releases from the likes of Eskimo Recordings, Crosstown Rebels, Culprit, International Feel, K7, Global Underground, Cadenza and Turbo to new name but a few. We hope to give you an upfront guide to new and upcoming releases in addition to the normal playlist feature.

The format will be a summary of the upcoming and recent releases and we will select our top 3 releases in each review blog. There will also be special review blogs for our favourite albums or releases, so please check regularly for our newest articles.

  • Fernando – Infinite Ways (International Feel – Released October 2014)
    • An Argentinian producer who has released a low BPM EP with three great spaced out disco tracks. Infinite Ways is the title track, it is the fastest of the three tracks and is obviously the main release track. A great guitar baseline and ‘synthy noises’ create the foundation for this track which is accompanied by an electro sounding vocal from Dom Wrong. Road Music is spaced out vocal number and  The Reason is a slow, chunkier sounding track with a great vocal and progressive, uplifting keys section.
  • Jozif – Waikiki (Culprit – Released October 2014)
    • Under The Thumb feat. Jenny Jones is a progressive/deep house track with an uplifting, happy vibe and floaty vocals, a nice track which is chopped up and made more ‘dancey’ in the No Regular Play remix. Waikiki is a blissed out, haunty piano influenced progressive track. Good Man is a groovy number which features a nice trumpet & piano combo & some bizarre sound effects along with a deep vocal, the Matt Tolfrey EC1 mix of Good Man is a much more chilled affair. Good Man is definitely the best release on Waikiki.
  • Horixon feat. Robert Owens  – Brighter Day (Eskimo Recording – Released 22nd September 2014)
    • Brighter Day starts the EP and its a 90’s influenced house track with a great vocal from Robert Owens, the remixes (one is a vocal dub mix) from Locked Groove take the record to another level. Titled the ‘Marching Trumpets Remix’ the Locked Groove edit is more bassy, it feels club ready and has a tough, tech-edged groove (pardon the pun). Great Things features vocals from Jacques Teal and is a more dreamy track that reminds me of a Hot Chip production which is testament to the quality of this track from Horixon.
  • Joel Hood – Gone EP (International Feel – Released 15th September 2014)
    • Gone is a great summertime feeling track, uplifting & progressive with a number of great sound effects and samples going off throughout the track. The vocal is similar to the indie/electronica bands of recent years; MGMT, Phoenix, Friendly Fires. While You Were Waiting is a dreamy, chilled house track and could feature on a Cafe Del Mar album. Pissholes in the Snow is one of the more randomly named tracks that I have ever seen, the track itself is more in the vein of Gone, an indie dance style track out of the Friendly Fires mould again. Twisted electro sounding guitar riffs and uplifting beats make this a catchy little number. In Turmoil is a super slow, low BPM track that almost feels as though the music is being blown away, super dreamy and very chilled track with ghostly vocal samples. Gone is the outstanding track on this release.
  • Alexander Skancke feat. HEwrote – Found My Place (Eskimo Recordings – Released 8th September 2014)
    • A Single Release with 3 alternative remixes of Found My Place provides the dubby, percussion lead original with some great alternatives where the remixes seem to have more to get your teeth into. The House Mix and Tropical Mix by Vinny Villbass are both excellent, the former utilises the dubby, percussive foundation of the original to create a twisted version where the vocals really shine through, the latter slows things down and emphasises the percussion with what seems like a steel/kettle drum, just need to find a beach to enjoy this track on. The last mix by Oskar Offerman is the hardest of the three but by stripping down the track to minimal elements seems to lose the best parts of the original which Villbass managed to harness on his house mix.
  • ValentinStip – Sigh Remixes (Other People – Released 25th August 2014)
    • Stips’s Sign Remixes are the most experimental of the 6 records in this review. The first track Pendule mixed by LoVil doesn’t really hit the spot based on my music preferences, the track is very chilled & experimental and doesn’t do enough to keep me entertained. The second track Tableaux mixed by Ratowsky and Solpara is much more to my liking, the broken beat is accompanied by a haunting riff and stabby kick drums that keep the track flowing nicely up and down throughout the 8 and a half minutes, the breakdown in the middle provides great aural entertainment.

The three standout releases above are, in order:

  1. Fernando – Infinite Ways
  2. Horixon – Brighter Days
  3. Joel Hood – Gone EP

All three artists selected are new Artists to TBC and we look forward to hearing more from both them and the relevant record labels.

Many thanks to Maouris and the record labels for this opportunity. Please have a look at the website (see below link).

http://www.maouris.co.uk/insight

Ta Ta for now,

TBC

Betty gets Loved Up!

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As most of you know by now, last weekend was the first proper instalment of TBC’s club night! TBC Loved Up! I graced the basement of The Night Kitchen (FKA DLS) for 6 hours of bone shaking techno with all my nearest and dearest! The weeks beforehand were spent preparing with my TBC buddies, making decorations, blowing up inflatable lips and ordering all manner of loved up paraphernalia including confetti cannons and heart shaped cocktail umbrellas! I was literally in a frenzied whirlwind of hearts and kisses for weeks which suited me and my general well being down to the ground! Of course, I fitted in a couple of pre parties at TBC HQ with the TBC resident DJs to discuss party tunage and just generally crank up our TBC excitement levels!

On the day itself i donned some rather fetching heart shaped nipple tassels which made even Oro (my gold mannequin lover) blush! I looked hot to trot especially with my very own  sexual purple spot light! Yes, ladies and gents, as per usual, it was all about me!

The basement looked super cool with lots of dark graffiti covered in cutesy hearts and smooches. At midnight tasty clubbers started arriving in awesome outfits including multiple coloured wigs, a green mirror ball jacket and make up any drag queen would be proud of! The dance floor became a vision of colour and smiley faces with all the guests entering into the truly Loved Up spirit of the night!

Now you’ve got an idea of the look of the place let me help with the audio! Luke Symonds was first on the decks with a gorgeous house set. A perfect start to the night which really got people bopping on the dance floor. A set highlight for me was Simian Mobile Disco “Cerulean” which had me bouncing around like Tigger on heat. Simon Bryan was next up and by this point the dance floor was really buzzin. Si’s set was dark with some awesome house and techno tunes and at times was in the style of my ultimate gigolo DJ Hell. Can’t really get a better compliment than that from the Bettster! He finished with the amazing Marcel Dettman remix of “Bad Kingdom” by Moderat. Check his set out on our sound cloud page:

https://soundcloud.com/technobreakfastclub/simon-bryan-tbc-loved-up-15-2

Omar El Gohary was on next and boy did this Egyptian maverick pull it out of the bag – his set was banging to say the least and was completely different to those that had gone before. Super hard techno which at times made me completely lose my mind in a state of delirium! Ben Sims featuring Blake Baxter “I wanna go back” was a particular highlight as was the fez hat which topped his head at an appropriately epic point in the music! James Avery was up next and I’ve gotta say, I thought Jay would carry on in the same vein as Omar bearing in mind I didn’t think it could get much harder but no, Jay cranked up the bpm and played a really fast, ridiculously hard techno set! His penultimate tune was the soul grazing: Radioactive Man “Uranium” which had me practically wetting my pants (if I wasn’t made of plastic and just a torso I definitely would have done!). The residents completely blew my mind with the music and had everyone on the dance floor going wild!

TBC Loved Up was a complete success and my head is already buzzin with ideas for our next party! I have just about recovered after an awesome after party and after after party so watch this space for your invitation to TBC part 2!

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Check out the rest of our Loved Up photos here:

https://www.facebook.com/technobreakfastclub.tbc/media_set?set=a.1485165465044239.1073741832.100006523981025&type=3