The TBC promotional reviews are coming thick and fast at the moment which is credit to the great material that we are receiving. This has meant a delay to regular formats such as our TBC playlist but without a time machine at the moment we do not have enough time to search, listen, review and write about everything, please be patient!
Our latest promo comes courtesy of Eskimo Recordings and one of our favourite eclectic electronic DJ/Producers Prins Thomas (Thomas Moen Hermansen when he is without his superstar DJ powers). Since we were introduced to Prins Thomas towards the end of the naughties we have taken great pleasure in his superb yet sometimes bizarre disco edits which have hit the mainstream via his label Full Pupp or been gems to find on vinyl or MP3. Since 2007 when we experienced Cosmo Galactic Prism and his RA Podcast #74 Prins Thomas has gravitated towards a heavier, more techy sound. This was evident in his Live at Robert Jonson in 2009 (#2 in the CD series) and the later (5 patient years of waiting) Rainbow Disco Club in 2014. The latter saw the new angle which included heavier techno tracks and dirtier grooves which excited TBC and lead to the album being included in our TBC Playlist from December 2014 (https://technobreakfastclub.co.uk/2015/03/20/tbc-playlist-december-2014/).
The day we received the release news for this album entitled ‘Goulash’ we were also fortunate to be able to receive a limited edition (limited to 100 so this is an ultra exclusive) tin can version of the album which you actually have to use a tin opener to prise the music from within. You can see the photo above showing the tin can in all its glory, keep your eyes peeled for our unveiling which will feature on-line soon.
1. Turns Forever More Pt. III
2. Gabor Szabo Galatea’s Guitar
3. Brian Bennett Band Drum Odyssey
4. Aqua Bassino Ibiza
5. Claude Speeed VIN
6. Sun Araw Ma Holo
7. Richard Schneider Jr. SambaTrip
8. Mistral Starship 109
9. The Durian Brothers Weggeputscht
10. Zazou Bikaye & CY1 Lamuka
11. Berliner Ring El Amarna
12. C Cat Trance Dalbouka
13. A Split Second Scandinavian Bellydance 14. TM404 303/303/303/303/606
15. RVDS Nerds
16. Len Leise Dance Of The Ghosts
17. NSI. Nikita
18. Wally Badarou Voices
19. Jan Akkerman Tranquilizer
1. Bjørn Torske Nestor
2. Actress Xoul Particles
3. Son.sine Upekah
4. Hakimonu Cadence 1 / Native A
5. Donato Dozzy & Tin Man Test 7
6. I:Cube Falling
7. Hieroglyphic Being Imaginary Soundscapes 9
8. Forever Sound Glowworm
9. Odd Numbers Riviera
10. Dreamatic I Can Feel It (Enzo Elia GFR Edit)
11. SW. Untitled
12. Pev & Kowton Low Strobe
13. Joachim Holm & Alejandro Mosso Tre Melodi
14. Robert Hood Drive (The Age Of Automation)
15. Abdulla Rashim Moral Blinds
16. Dirty Jesus Don’t Fuck With My Shit (RV Cock’s Black Cock Mix) 17. Marcos Cabral Sweet & Sour
18. Box Saga Zen And The Art Of Deadlines
19. Bjørn Torske Nitten Nitti
20. Les Big Byrd Roundhouse Blues
1. Ü The Subdubba Beat (Stockholmia Glue Mix)
2. Petar Dundov Sailing Off The Grid
3. Louis Haiman Ghosts Of Gratiot
4. Evigt Mörker Högre
5. Morphosis Silent Screamer
6. Sebbo Watamu Beach (Moritz von Oswald Rework) 7. Young Marco Biology Theme
8. Luke Abbott Modern Driveway
9. Ricardo Villalobos Defixia
10. Zadig Quiet Orbit Around Gladia
11. Marcellus Pittman The Mad Underdog
12. Stefan Vincent Fool Me Again
13. Blacknecks Don’t Dream It Be It
14. Siriusmo Liu
15. Il Guardiano Del Faro Ma Ci Pensi, Io E Te
16. Johanna Billing This Is How We Walk On The Moon 17. Krater Labyrint
18. Kurt Vile Baby’s Arms
The first thing you will notice having perused the track list above is that this is a rather eclectic collection of tracks from a vast array of DJ’s and producers. We have Len Leise (previously featured on past promo reviews), the legendary Split Second of old skool rave era, Bjorn Torske, Donato Dozzy, I:Cube, Robert Hood, Petar Dundov and Siriusmo across the 3 disc mega mix. Eclecticy is the basis of Goulash and encapsulates Prins Thomas’s sound and mixing style. At first this mix can seem very chilled and minimal but having listened to the mix for the last few weeks this structure creates an interesting, albeit (at quite a tangent to his latest mixes, releases and live sets) quirky feel that may not be everyone’s cup of tea. When TBC first read the release notes we thought that this would be an electronic journey across disco, house and techno but the predominant feel is subdued and atmospheric with some amazing tracks interspersed throughout. You have to give the mix time to develop, build, transform and progress which may test your patience but works perfectly at home on a loud sound system. This mix can be enjoyed in the background, while relaxing or chilling at a pre/after party or if you fancy an engrossing musical journey over almost 4 hours.
The first CD is very, very chilled. It rarely picks up pace or delivers any groovy, dance enticing parts which was somewhat of a surprise considering Prins Thomas’ last few releases. The roster of artists for the first CD are mostly unknowns even to the cultured ear and electronic music aficionado. The predominant style of this mix is psychedelic disco with bizarre percussion, instrumental, vocal and tribal samples. It is probably the least welcoming of the 3 mixes in the boxset due to this diversity and bizarre electronica influences. Prins Thomas is showing us an alternative side of his musical repertoire that most will not have excepted even existed.
The second CD starts off with more of a wonky electronic feel that by track three entitled Upekah harks back to the sound you will have expected. The pace remains slow but a more deep house/techy sound starts to develop via the lovely Test 7 by Donato Dozzy and Tin Man. I:Cube’s Falling regresses to the signature electro disco sound that Prins is most famous for, the pace picks up slightly and you will finally find yourself wanting to shake that ass and have a little boogie. By the time you reach Robert Hood’s epic Drive (Age of Automation) the mix is in its most developed state, the pitch is slower than that of the original but this provides a great alternative angle to this driving electro track, it is simply brilliant and works well in the mix to continue the progression. This mix plateaus after Robert Hood and drifts with some great electronica ending in the beautiful Roundhouse Blues by Les Big Byrd , an excellent way to close a superb second disc.
The final disc starts with the bizarre The Subdubba Beat by U but moves into a more progressive, uplifting style featuring the likes of Petar Dundov who’s production works is just superb spanning trance, prog and minimal techno. Luke Abbot’s Modern Driveway which comes in at track 8 is another beautiful piece of electronica, uplifting, summery and epic. Prins then throws in another of his tangents descending into the squelchy electro techno of the Mad Underdog by Marcellus Pitman which is just plain evil but a great treat on the final disc. Don’t Dream It Be It by the Blacknecks delivers yet another tangent returning to the shonky disco style of old Prins Thomas, this track is an excellent inclusion again on the final disc and seems to one of many where his eclectic record collection is being shown off and presented for our appreciation and enjoyment. The mix ends with a psychedelic rock style track from Kurt Vile entitled Baby’s Arms.
All in all Goulash is a musical journey of eclecticity that TBC has enjoyed, there are some gems of tracks hidden in here for your enjoyment but you will need to delve in and find them which is part of the fun and enjoyment. The mix does not stand up next to either the Robert Johnson or Rainbow Disco Club which are more of a representation of Prins Thomas’s live mixes while DJing however it is an alternative DJ Kicks style mix collection that can be highly enjoyable, if you give it a fair chance and go back for some repeat listening.